Herzliche Einladung zu den Veranstaltungen der Städelschule!
Jacques Rancière: The Politics of Images
Wednesday, 7 January, 19h, Aula
Die Veranstaltungen findet in englischer Sprache statt.
“After the reign of the spectacle, the death of the image and an ethics of the non-representable have each been proclaimed, it seems timely to rethink the consistency of the image and the forms of its efficiency.”
Jacques Rancière
Jacques Rancière (born Algiers, 1940) is a French philosopher and Emeritus Professor of Philosophy at the University of Paris VIII (St. Denis) where he taught from 1969 to 2000. He came first to prominence when he co-authored "Reading Capital" (1968) with the Marxist philosopher and his mentor Louis Althusser, with whom he later split over the proper response to the student revolt of May 1968. Today, Rancière is most well known for his writings on emancipatory politics, aesthetics and the relationship between aesthetics and politics. He also writes extensively on cinema. His recent publications in german are Zehn Thesen zur Politik (diaphanes 2008) and Ist Kunst widerständig? (Merve 2008).
Freitag, 19. Dezember 2008
JUDITH HOPF / PHILIPPE RAHM
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Judith Hopf: Doors - Count
Wednesday, 17 December, 19h, Aula
Die Veranstaltungen findet in englischer Sprache statt.
Judith Hopf takes the Portikus exhibition "Türen" (2007 in collaboration with Henrik Olesen) as an starting point of her lecture to exemplify further and recent projects and works.
Doors showed a collaborative project developed by Judith Hopf and Henrik Olesen. Doors offered passageways, entrances and exits, detours and cul-de-sacs, and repeatedly asked the viewer to come to a new decision. The different possibilities of action - opening doors, moving (backward) in space - engender new spatial constellations. They affect what is behind, what remains initially hidden from view, and necessitate unforeseen changes in direction and sidestepping gestures. This sculptural space, conceived as a model and designed in the manner of a stage setting, at once also presents an exaggerated delineation of social patterns, in which limitations, compulsions, contradictions and strictures, but also possibilities for decisions emerge into view. In a similar manner, Judith Hopf and Henrik Olesen also approached the subject of spatial and personal demarcation by means of film.
The new Film of Jdith Hopf, Zählen! (Count!) is about the unusual story of Wilhelm Von Osten, a Berlin high school mathematics teacher, phrenologist, showman and mystic. At the beginning of the twentieth century, working from Darwinian postulates, Von Osten successfully managed to train his horse Hans in elementary arithmetic. The horse quickly became a sensation, making the front cover of The New York Times and prompting the German board of eduction to convene a 13-man board of inquiry. The Hans Commission reported back in 1907. Analyzing the Hans’ arithmetical acumen in terms of what would henceforth be called the ‘Clever Hans effect’, the commission concluded that the horse’s true acuity lay in the realms of psychology. Zählen! is her most recent exhibition in the Gallery Croy Nielsen, Berlin, which ended last week.
Judith Hopf is professor for Fine Art at Städelschule.
The Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Philippe Rahm: Meteorological Architecture
Thursday, 18 December, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Philippe Rahm´s lecture at the Städelschule investigates the concept of architecture as a physiological environment. Dealing with physiological and often invisible aspects of space the Paris-based architect raises the possibility that climate can replace the typology, function and form of what we use and define as architecture.
Philippe Rahm´s work has been shown in numerous exhibitions such as the Swiss Pavilion at the 8th Architecture Biennale in Venice and "Digestible Gulf Stream" at Architectural Venice Biennale 2008, San Francisco MoMA (2001), Museum of Modern Art in Paris (2001), Tirana Biennial 2001, "Form & function follow climate“ at CCA Kitakyushu (2004), Mori Art Museum (Tokyo, 2005), Centre Pompidou (2003-2007 and Manifesta 7. He has held academic positions at the Architectural Association in London, at the Ecole Nationale Supérieure de Beaux-Arts of Paris (2003), Mendrisio Academy of Architecture (2005/06) and at the ETH Lausanne (2006/07). He is a professor at the ECAL Lausanne and teaches at the School of Architecture of Paris-Malaquais in Paris. He has published „Physiological Architecture“ (Birkhäuser) and is currently working on several projects such as the „Winter House“ for Fabrice Hybert in France and the „Second summer“ in Austria.
Judith Hopf: Doors - Count
Wednesday, 17 December, 19h, Aula
Die Veranstaltungen findet in englischer Sprache statt.
Judith Hopf takes the Portikus exhibition "Türen" (2007 in collaboration with Henrik Olesen) as an starting point of her lecture to exemplify further and recent projects and works.
Doors showed a collaborative project developed by Judith Hopf and Henrik Olesen. Doors offered passageways, entrances and exits, detours and cul-de-sacs, and repeatedly asked the viewer to come to a new decision. The different possibilities of action - opening doors, moving (backward) in space - engender new spatial constellations. They affect what is behind, what remains initially hidden from view, and necessitate unforeseen changes in direction and sidestepping gestures. This sculptural space, conceived as a model and designed in the manner of a stage setting, at once also presents an exaggerated delineation of social patterns, in which limitations, compulsions, contradictions and strictures, but also possibilities for decisions emerge into view. In a similar manner, Judith Hopf and Henrik Olesen also approached the subject of spatial and personal demarcation by means of film.
The new Film of Jdith Hopf, Zählen! (Count!) is about the unusual story of Wilhelm Von Osten, a Berlin high school mathematics teacher, phrenologist, showman and mystic. At the beginning of the twentieth century, working from Darwinian postulates, Von Osten successfully managed to train his horse Hans in elementary arithmetic. The horse quickly became a sensation, making the front cover of The New York Times and prompting the German board of eduction to convene a 13-man board of inquiry. The Hans Commission reported back in 1907. Analyzing the Hans’ arithmetical acumen in terms of what would henceforth be called the ‘Clever Hans effect’, the commission concluded that the horse’s true acuity lay in the realms of psychology. Zählen! is her most recent exhibition in the Gallery Croy Nielsen, Berlin, which ended last week.
Judith Hopf is professor for Fine Art at Städelschule.
The Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Philippe Rahm: Meteorological Architecture
Thursday, 18 December, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Philippe Rahm´s lecture at the Städelschule investigates the concept of architecture as a physiological environment. Dealing with physiological and often invisible aspects of space the Paris-based architect raises the possibility that climate can replace the typology, function and form of what we use and define as architecture.
Philippe Rahm´s work has been shown in numerous exhibitions such as the Swiss Pavilion at the 8th Architecture Biennale in Venice and "Digestible Gulf Stream" at Architectural Venice Biennale 2008, San Francisco MoMA (2001), Museum of Modern Art in Paris (2001), Tirana Biennial 2001, "Form & function follow climate“ at CCA Kitakyushu (2004), Mori Art Museum (Tokyo, 2005), Centre Pompidou (2003-2007 and Manifesta 7. He has held academic positions at the Architectural Association in London, at the Ecole Nationale Supérieure de Beaux-Arts of Paris (2003), Mendrisio Academy of Architecture (2005/06) and at the ETH Lausanne (2006/07). He is a professor at the ECAL Lausanne and teaches at the School of Architecture of Paris-Malaquais in Paris. He has published „Physiological Architecture“ (Birkhäuser) and is currently working on several projects such as the „Winter House“ for Fabrice Hybert in France and the „Second summer“ in Austria.
Freitag, 5. Dezember 2008
NIKOLAUS HIRSCH
Herzliche Einladung zu den Veranstaltungen der Städelschule!
The Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Nikolaus Hirsch: Exquisite Corps
Thursday, 11 December, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
In his lecture at the Städelschule Nikolaus Hirsch contributes to the discussion pavilions in light of some of his most recent projects. Referring to "Exquisite Corpse", a growing institutional model for the European Kunsthalle (Showroom London, 2008), and the "Cybermohalla Hub" at Manifesta 7 (Bolzano, 2008), he questions the relationship between stable and unstable spatial configurations
Nikolaus Hirsch is a Frankfurt-based architect and guest professor at Städelschule who has hold academic positions at the Architectural Association in London, at the Institute of Applied Theater Studies at Giessen University, and at the University of Pennsylvania in Philadelphia. His work includes the award-winning Dresden Synagogue, the Hinzert Document Center, and numerous exhibition architectures such as “Making Things Public” at the ZKM (curated by Bruno Latour and Peter Weibel), “Frequencies-Hz” at Schirn Kunsthalle and "Indian Highway" (Serpentine Gallery, 2008). Hirsch´s ongoing research in institutional models has resulted in projects such as the Bockenheimer Depot Theater (with William Forsythe), Unitednationsplaza in Berlin (with Anton Vidokle), European Kunsthalle, Cybermohalla Hub in Delhi and currently a studio structure for Rirkrit Tiravanija´s “The Land”.
His work has been shown in “Neue Welt” (Frankfurter Kunstverein, 2001), “Utopia Station“ at the Venice Biennial 2003, “Can Buildings Curate” (Architectural Association London / Storefront Gallery, New York, 2005), Thomas Bayrle´s “40 Years Chinese Rock 'n Roll” (MMK Frankfurt, 2006), "Horn Please" (Kunstmuseum Bern, 2007), and Manifesta 7 in Bolzano. Nikolaus Hirsch has curated „ErsatzStadt: Representations of the Urban“ at Volksbühne Berlin and is a member of the „Curating Architecture“ program at Goldsmiths College in London. Recently he has published „On Boundaries“ (Sternberg Press), a collection of texts that focuses on the relationship between architectural, artistic and curatorial models.
The Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Nikolaus Hirsch: Exquisite Corps
Thursday, 11 December, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
In his lecture at the Städelschule Nikolaus Hirsch contributes to the discussion pavilions in light of some of his most recent projects. Referring to "Exquisite Corpse", a growing institutional model for the European Kunsthalle (Showroom London, 2008), and the "Cybermohalla Hub" at Manifesta 7 (Bolzano, 2008), he questions the relationship between stable and unstable spatial configurations
Nikolaus Hirsch is a Frankfurt-based architect and guest professor at Städelschule who has hold academic positions at the Architectural Association in London, at the Institute of Applied Theater Studies at Giessen University, and at the University of Pennsylvania in Philadelphia. His work includes the award-winning Dresden Synagogue, the Hinzert Document Center, and numerous exhibition architectures such as “Making Things Public” at the ZKM (curated by Bruno Latour and Peter Weibel), “Frequencies-Hz” at Schirn Kunsthalle and "Indian Highway" (Serpentine Gallery, 2008). Hirsch´s ongoing research in institutional models has resulted in projects such as the Bockenheimer Depot Theater (with William Forsythe), Unitednationsplaza in Berlin (with Anton Vidokle), European Kunsthalle, Cybermohalla Hub in Delhi and currently a studio structure for Rirkrit Tiravanija´s “The Land”.
His work has been shown in “Neue Welt” (Frankfurter Kunstverein, 2001), “Utopia Station“ at the Venice Biennial 2003, “Can Buildings Curate” (Architectural Association London / Storefront Gallery, New York, 2005), Thomas Bayrle´s “40 Years Chinese Rock 'n Roll” (MMK Frankfurt, 2006), "Horn Please" (Kunstmuseum Bern, 2007), and Manifesta 7 in Bolzano. Nikolaus Hirsch has curated „ErsatzStadt: Representations of the Urban“ at Volksbühne Berlin and is a member of the „Curating Architecture“ program at Goldsmiths College in London. Recently he has published „On Boundaries“ (Sternberg Press), a collection of texts that focuses on the relationship between architectural, artistic and curatorial models.
Montag, 1. Dezember 2008
TOBIAS REHBERGER
Herzliche Einladung zu den Veranstaltungen der Städelschule!
The Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Tobias Rehberger: Halbe, viertel und ganze Eier
Thursday, 4 December, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Tobias Rehberger, Städelschule graduate and art professor since 2001, produces work of great artistic complexity and intimacy with design. The production flirts with the contemporary status of objects, space, commodification and innovation. Yet, for all its extravagance, humor and disciplinary ambiguity, Rehberger's work reflects his own clear identification as an artist. As he has put it, the work emerges from a paradigm of art - that is, the thinking and production of an artist. When the work is at its most potent in terms of design and spatial implications (such as in Private Matters (Whitechapel, London, 2004), On Otto (Fondazione Prada, Milan, 2007) and The-Chicken-and-Egg-No-Problem Wall Painting, (Stedelijk Museum, Amsterdam, 2008)), Rehberger seems to insist on a resistance to the most immanent interpretation of his own work.
Hence, Rehberger's art is probably less about "chance connections" than it is about a carefully calculated play of contradictions, paradoxes and conflicts. It is probably less about "unexpected encounters" than it is about a spatial scenography revolving around disciplinary and productive tension.
To a discussion about architecture, art and the typology of the pavilion, Tobias Rehberger brings ideas and a portfolio of work that bespeaks the disciplinary and typological strictures, yet suspend the same relative to an urgency of production.
The Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Tobias Rehberger: Halbe, viertel und ganze Eier
Thursday, 4 December, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Tobias Rehberger, Städelschule graduate and art professor since 2001, produces work of great artistic complexity and intimacy with design. The production flirts with the contemporary status of objects, space, commodification and innovation. Yet, for all its extravagance, humor and disciplinary ambiguity, Rehberger's work reflects his own clear identification as an artist. As he has put it, the work emerges from a paradigm of art - that is, the thinking and production of an artist. When the work is at its most potent in terms of design and spatial implications (such as in Private Matters (Whitechapel, London, 2004), On Otto (Fondazione Prada, Milan, 2007) and The-Chicken-and-Egg-No-Problem Wall Painting, (Stedelijk Museum, Amsterdam, 2008)), Rehberger seems to insist on a resistance to the most immanent interpretation of his own work.
Hence, Rehberger's art is probably less about "chance connections" than it is about a carefully calculated play of contradictions, paradoxes and conflicts. It is probably less about "unexpected encounters" than it is about a spatial scenography revolving around disciplinary and productive tension.
To a discussion about architecture, art and the typology of the pavilion, Tobias Rehberger brings ideas and a portfolio of work that bespeaks the disciplinary and typological strictures, yet suspend the same relative to an urgency of production.
Mittwoch, 19. November 2008
EYAL WEIZMAN / WILL BRADLEY / BEN VAN BERKEL
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Eyal Weizman: Future Archeology
Sunday, 23 November 19h, Aula
Die Veranstaltung findet in englischer Sprache statt.
In his lecture at the Städelschule Eyal Weizman investigates the conflicts and contradictions within contemporary spatial practice. Referring to his book "Hollow Land" and his most recent project "The Lesser Evil" he discusses the notion of political agency as one of the key questions of the current cultural debate.
London-based Eyal Weizman is one of the most prolific figures in the ongoing renegotiation of cultural agency. As the founder and director of the Centre for Research Architecture at Goldsmiths College in London he has initiated a „Roundtable“ that involves a variety of curators, architects and artists. Before this role, Weizman was Professor of Architecture at the Academy of Fine Arts in Vienna. His books include „A Civilian Occupation“ (Verso Books, 2003) and „Hollow Land“ (Verso Books, 2007. Weizman is a regular contributor to many journals and magazines and is an editor at large for Cabinet Magazine (New York). Weizman is the recipient of the James Stirling Memorial Lecture Prize for 2006-2007. As a curator he has co-organized „Territories“ (KW Berlin, 2003, with Anselm Franke). Most recently his work has been shown at Manifesta 7 and Brussels Biennial.
Will Bradley: What Are You Doing Here?: Art in the Place of Politics at OSRAM China Lighting Ltd.
Tuesday, 25 November, 19h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Will Bradley´s lecture discusses the relationship between art and politics centred on the project “What are you doing here?” (2006), produced by the Siemens Art Program, in which 'the artist Cao Fei works with employees from OSRAM China Lighting to turn their individual ideas, hopes and expectations into art.' The talk will examine how this process worked, and discuss its implications.
Will Bradley is an Oslo-based critic and curator who is currently a guest professor at the Städelschule. He is researching social and economic experiments in contemporary art and has co-founded “The Modern Institute” in Glasgow that produces artists' projects and represents artists. He has co-edited “Self Organisation / Counter-Economic Strategies” (Lukas & Sternberg, 2006) and "Art and Social Change" (Tate, 2007). As a curated he has organized the exhibition "Radical Software" (CCA Wattis Institute, San Francisco 2006) and „Forms of Resistance“ (Van Abbemuseum, Eindhoven, 2007). He is currently working (with curator Cristina Ricupero) on „Manufacturing Today“, a polemical survey of alternatives and oppositions to the neo-liberal instrumentalisation of art and art education.
The Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Ben van Berkel: Switching On & Off
Thursday, 27 November, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Ben van Berkel and UNStudio designed and developed over the years a series of pavilions with which they have explored specific themes in architecture. These themes have ranged from the problem of formal and geometric continuity, via circulation and time, to informed surface conditions.
According to Ben van Berkel small and temporary projects are often a great way to test new ideas, to advance themes that form part of longer-lasting preoccupations. ‘What we like to do is work in series. To us, each project is like a still from a film.’
For the Architecture Biennale 2008 in Venice, UNStudio produced the pavilion ‘The Changing Room’. The pavilion explores inside-outside relationships with a geometric organization that twists and folds into itself. As the continuous surfaces peel back and expose the interior, the visitors are confronted with a choreography that summons the intimacy of the changing room and weaves the public and private domains to one another.
Ben van Berkel is Dean of the Städelschule Architecture Class.
Eyal Weizman: Future Archeology
Sunday, 23 November 19h, Aula
Die Veranstaltung findet in englischer Sprache statt.
In his lecture at the Städelschule Eyal Weizman investigates the conflicts and contradictions within contemporary spatial practice. Referring to his book "Hollow Land" and his most recent project "The Lesser Evil" he discusses the notion of political agency as one of the key questions of the current cultural debate.
London-based Eyal Weizman is one of the most prolific figures in the ongoing renegotiation of cultural agency. As the founder and director of the Centre for Research Architecture at Goldsmiths College in London he has initiated a „Roundtable“ that involves a variety of curators, architects and artists. Before this role, Weizman was Professor of Architecture at the Academy of Fine Arts in Vienna. His books include „A Civilian Occupation“ (Verso Books, 2003) and „Hollow Land“ (Verso Books, 2007. Weizman is a regular contributor to many journals and magazines and is an editor at large for Cabinet Magazine (New York). Weizman is the recipient of the James Stirling Memorial Lecture Prize for 2006-2007. As a curator he has co-organized „Territories“ (KW Berlin, 2003, with Anselm Franke). Most recently his work has been shown at Manifesta 7 and Brussels Biennial.
Will Bradley: What Are You Doing Here?: Art in the Place of Politics at OSRAM China Lighting Ltd.
Tuesday, 25 November, 19h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Will Bradley´s lecture discusses the relationship between art and politics centred on the project “What are you doing here?” (2006), produced by the Siemens Art Program, in which 'the artist Cao Fei works with employees from OSRAM China Lighting to turn their individual ideas, hopes and expectations into art.' The talk will examine how this process worked, and discuss its implications.
Will Bradley is an Oslo-based critic and curator who is currently a guest professor at the Städelschule. He is researching social and economic experiments in contemporary art and has co-founded “The Modern Institute” in Glasgow that produces artists' projects and represents artists. He has co-edited “Self Organisation / Counter-Economic Strategies” (Lukas & Sternberg, 2006) and "Art and Social Change" (Tate, 2007). As a curated he has organized the exhibition "Radical Software" (CCA Wattis Institute, San Francisco 2006) and „Forms of Resistance“ (Van Abbemuseum, Eindhoven, 2007). He is currently working (with curator Cristina Ricupero) on „Manufacturing Today“, a polemical survey of alternatives and oppositions to the neo-liberal instrumentalisation of art and art education.
The Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Ben van Berkel: Switching On & Off
Thursday, 27 November, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Ben van Berkel and UNStudio designed and developed over the years a series of pavilions with which they have explored specific themes in architecture. These themes have ranged from the problem of formal and geometric continuity, via circulation and time, to informed surface conditions.
According to Ben van Berkel small and temporary projects are often a great way to test new ideas, to advance themes that form part of longer-lasting preoccupations. ‘What we like to do is work in series. To us, each project is like a still from a film.’
For the Architecture Biennale 2008 in Venice, UNStudio produced the pavilion ‘The Changing Room’. The pavilion explores inside-outside relationships with a geometric organization that twists and folds into itself. As the continuous surfaces peel back and expose the interior, the visitors are confronted with a choreography that summons the intimacy of the changing room and weaves the public and private domains to one another.
Ben van Berkel is Dean of the Städelschule Architecture Class.
Freitag, 14. November 2008
FRANCES STARK / TOMAS SARACENO
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Frances Stark: The New Vision
Tuesday, 18 November, 19h, Aula
Bitte beachten Sie, dass diese Veranstaltung um einen Tag vorverlegt wurde.
Please note this lecture is rescheduled for one day earlier.
Die Veranstaltung findet in englischer Sprache statt.
Frances Stark’s (b. 1967, lives and works in Los Angeles) works arise mainly out of a complex system of references comprising texts and images. Thus the metaphorical significance and composition of the written word on the canvas or the paper form the starting point from which her collages and texts draw their creative sustenance. Equally important for her method of working are visual templates from the world of art; they can be derived from classical art, but can also be taken from textual and pictorial material from a more contemporary or sub-cultural genre. She creates networks made up of different found and discovered symbols, cuttings and graphic elements, quotations from literature and autobiographical references in the delicate ornament of her collages. Equally characteristic for the contextual composition of the works is the illumination of and engagement with her own personal creative process as well as with the diverse roles and attitudes she adopts as an artist and author. Stark’s approach is accordingly characterized by a repeated self-referentiality within her own work. Motifs and textual fragments, but also complete thematic threads can weave their path through several cycles of work. Frances Stark’s two publications Frances Stark: Collected Writing, 1993-2003 (2003, Bookworks, London) and Frances Stark: Collected Works (2007, Verlag der Buchhandlung Walter König, Cologne) trace this development most beautifully. Frances Stark’s works are informed for the most part with a fine sense of humour; it manifests itself both in the special choice of motif and in the minimal composition of the respective elements when engaging with the dynamic tension inherent in »public and private« or »gravity and irony, i.e. posing«.
The Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Tomas Saraceno
in Conversation with Klaus Bollinger, Johan Bettum and Nikolaus Hirsch
Thursday, 20 November, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Meeting with Klaus Bollinger, Nikolaus Hirsch and Johan Bettum, Städelschule alumnus Tomas Saraceno will discuss aspects of his work with respect to issues in art and architecture. The panel will investigate Saraceno’s visionary approach to architecture, engineering, and physics, while addressing spatial and conceptual questions related to art.
Tomas Saraceno was trained as an architect in Argentina before commencing his post-graduate training in art and architecture in Argentina, Germany and Italy. Already during his studies at the Städelschule (2001-2003), Saraceno had begun exhibiting his work, and upon graduation he soon established a career as an artist. He has had numerous prestigious solo exhibitions and participated in group exhibitions all over the world, including “Infinitive Actives” at Portikus (2006), Venice Biennial (2003) and his project on the world's largest salt lake, Salar de Uyuni in Bolivia. His permanent installations are “On Clouds (Air port city)” at Towada Arts Center in Japan, and “Flying Garden” in Munich. Currently he holds a residency at Walker Art Center in Minneapolis where he is preparing a major solo exhibition in 2009.
Ausstellung:
Frances Stark: The New Vision
Eröffnung: 21. November, 20 Uhr, Portikus
Ausstellungsdauer: 22. November 2008 - 11. Januar 2009
Eyal Weizman: Future Archeology
Sunday, 23 November 19h, Aula
Bitte beachten Sie, dass diese Veranstaltung um einen Tag vorverlegt wurde.
Please note this lecture is rescheduled for one day earlier.
Die Veranstaltung findet in englischer Sprache statt.
Frances Stark: The New Vision
Tuesday, 18 November, 19h, Aula
Bitte beachten Sie, dass diese Veranstaltung um einen Tag vorverlegt wurde.
Please note this lecture is rescheduled for one day earlier.
Die Veranstaltung findet in englischer Sprache statt.
Frances Stark’s (b. 1967, lives and works in Los Angeles) works arise mainly out of a complex system of references comprising texts and images. Thus the metaphorical significance and composition of the written word on the canvas or the paper form the starting point from which her collages and texts draw their creative sustenance. Equally important for her method of working are visual templates from the world of art; they can be derived from classical art, but can also be taken from textual and pictorial material from a more contemporary or sub-cultural genre. She creates networks made up of different found and discovered symbols, cuttings and graphic elements, quotations from literature and autobiographical references in the delicate ornament of her collages. Equally characteristic for the contextual composition of the works is the illumination of and engagement with her own personal creative process as well as with the diverse roles and attitudes she adopts as an artist and author. Stark’s approach is accordingly characterized by a repeated self-referentiality within her own work. Motifs and textual fragments, but also complete thematic threads can weave their path through several cycles of work. Frances Stark’s two publications Frances Stark: Collected Writing, 1993-2003 (2003, Bookworks, London) and Frances Stark: Collected Works (2007, Verlag der Buchhandlung Walter König, Cologne) trace this development most beautifully. Frances Stark’s works are informed for the most part with a fine sense of humour; it manifests itself both in the special choice of motif and in the minimal composition of the respective elements when engaging with the dynamic tension inherent in »public and private« or »gravity and irony, i.e. posing«.
The Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Tomas Saraceno
in Conversation with Klaus Bollinger, Johan Bettum and Nikolaus Hirsch
Thursday, 20 November, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Meeting with Klaus Bollinger, Nikolaus Hirsch and Johan Bettum, Städelschule alumnus Tomas Saraceno will discuss aspects of his work with respect to issues in art and architecture. The panel will investigate Saraceno’s visionary approach to architecture, engineering, and physics, while addressing spatial and conceptual questions related to art.
Tomas Saraceno was trained as an architect in Argentina before commencing his post-graduate training in art and architecture in Argentina, Germany and Italy. Already during his studies at the Städelschule (2001-2003), Saraceno had begun exhibiting his work, and upon graduation he soon established a career as an artist. He has had numerous prestigious solo exhibitions and participated in group exhibitions all over the world, including “Infinitive Actives” at Portikus (2006), Venice Biennial (2003) and his project on the world's largest salt lake, Salar de Uyuni in Bolivia. His permanent installations are “On Clouds (Air port city)” at Towada Arts Center in Japan, and “Flying Garden” in Munich. Currently he holds a residency at Walker Art Center in Minneapolis where he is preparing a major solo exhibition in 2009.
Ausstellung:
Frances Stark: The New Vision
Eröffnung: 21. November, 20 Uhr, Portikus
Ausstellungsdauer: 22. November 2008 - 11. Januar 2009
Eyal Weizman: Future Archeology
Sunday, 23 November 19h, Aula
Bitte beachten Sie, dass diese Veranstaltung um einen Tag vorverlegt wurde.
Please note this lecture is rescheduled for one day earlier.
Die Veranstaltung findet in englischer Sprache statt.
Donnerstag, 6. November 2008
ANTON VIDOKLE / JOCHEN VOLZ
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Anton Vidokle: Everything You Always Wanted To Know About __ But Were Too Afraid To Ask.
Tuesday, 11 November, 19h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Anton Vidokle is an artist based in New York and Berlin. His work has been exhibited in shows such as the Venice Biennale, Lyon Biennial, Dakar Biennale and at Tate Modern, London; Moderna Galerija, Ljubljana; Musee d'art Modern de la Ville de Paris; Museo Carrillo Gil, Mexico City; UCLA Hammer, LA; ICA, Boston; Haus Der Kunst, Munich; P.S.1, New York; among others. With Julieta Aranda, he organized e-flux video rental, which traveled to numerous institutions including Portikus, Frankfurt; KW, Berlin; Extra City, Antwerp; Carpenter Center, Harvard University, Cambridge, MA; and others. As founder of e-flux, he has produced projects such as Next Documenta Should Be Curated By An Artist, Do it, Utopia Station poster project, and organized An Image Bank for Everyday Revolutionary Life and Martha Rosler Library. Vidokle initiated research into education as site for artistic practice as co-curator for Manifesta 6, which was canceled. In response to the cancellation, Vidokle set up an independent project in Berlin alled Unitednationsplaza - a twelve-month exhibition-as-school involving more than a hundred artists, writers, theorists, and diverse audiences. Located behind a supermarket in East Berlin, UNP's program featured numerous seminars, lectures, screenings, book presentations. Unitednationsplaza recently traveled to Mexico City and a parallel project called the Night School will continue at the New Museum through January 2009.
the Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Jochen Volz: Unfolding an Institution: Finding Inhotim
Thursday, 13 November, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Jochen Volz is the artistic director of Inhotim Centro de Arte Contemporânea, a large museum complex which was founded in 2005, situated in Brumadinho, 60 km from the capital of Minas Gerais in Brazil. The museum is unique for its combination of a botanical garden with the collection of important Brazilian and international art. In addition to a collection that includes important Brazilian and international art from the 1960s and on, Inhotim numbers a sequence of pavilions in the midst of a botanical garden. The botanical garden has been partly developed along guidelines formulated by famed landscape artist, Roberto Burle Marx. The enormous variety of plants at Inhotim makes it one of the largest botanical collections in the world, with rare tropical species and a forest reserve which is part of the Atlantic Forest biome. The pavilions and botanical garden form the core of the museum complex and, together with the art collection, support the institution’s ongoing development of research, scientific innovation and education.
In 2006 Jochen Volz guest curated the 27th São Paulo Biennial: How to Live Together, with a special exhibition project in homage to Marcel Broodthaers with Juan Araujo, Mabe Bethônico, Marcel Broodthaers, Marilá Dardot, Tacita Dean, Meschac Gaba, Goshka Macuga, Rirkrit Tiravanija, Haegue Yang. Between 2001 and 2004, he was curator of Portikus, Frankfurt am Main. As a critic he is writing for magazines and catalogues. Together with Daniel Birnbaum, he will be organizing the international section of the 53rd International Art Exhibition, Venice Biennial 2009. Jochen Volz currently holds the Heinz und Giesela Friederichs Stiftung professorship for Art and Architecture 2008-09 at Städelschule.
Anton Vidokle: Everything You Always Wanted To Know About __ But Were Too Afraid To Ask.
Tuesday, 11 November, 19h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Anton Vidokle is an artist based in New York and Berlin. His work has been exhibited in shows such as the Venice Biennale, Lyon Biennial, Dakar Biennale and at Tate Modern, London; Moderna Galerija, Ljubljana; Musee d'art Modern de la Ville de Paris; Museo Carrillo Gil, Mexico City; UCLA Hammer, LA; ICA, Boston; Haus Der Kunst, Munich; P.S.1, New York; among others. With Julieta Aranda, he organized e-flux video rental, which traveled to numerous institutions including Portikus, Frankfurt; KW, Berlin; Extra City, Antwerp; Carpenter Center, Harvard University, Cambridge, MA; and others. As founder of e-flux, he has produced projects such as Next Documenta Should Be Curated By An Artist, Do it, Utopia Station poster project, and organized An Image Bank for Everyday Revolutionary Life and Martha Rosler Library. Vidokle initiated research into education as site for artistic practice as co-curator for Manifesta 6, which was canceled. In response to the cancellation, Vidokle set up an independent project in Berlin alled Unitednationsplaza - a twelve-month exhibition-as-school involving more than a hundred artists, writers, theorists, and diverse audiences. Located behind a supermarket in East Berlin, UNP's program featured numerous seminars, lectures, screenings, book presentations. Unitednationsplaza recently traveled to Mexico City and a parallel project called the Night School will continue at the New Museum through January 2009.
the Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Jochen Volz: Unfolding an Institution: Finding Inhotim
Thursday, 13 November, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Jochen Volz is the artistic director of Inhotim Centro de Arte Contemporânea, a large museum complex which was founded in 2005, situated in Brumadinho, 60 km from the capital of Minas Gerais in Brazil. The museum is unique for its combination of a botanical garden with the collection of important Brazilian and international art. In addition to a collection that includes important Brazilian and international art from the 1960s and on, Inhotim numbers a sequence of pavilions in the midst of a botanical garden. The botanical garden has been partly developed along guidelines formulated by famed landscape artist, Roberto Burle Marx. The enormous variety of plants at Inhotim makes it one of the largest botanical collections in the world, with rare tropical species and a forest reserve which is part of the Atlantic Forest biome. The pavilions and botanical garden form the core of the museum complex and, together with the art collection, support the institution’s ongoing development of research, scientific innovation and education.
In 2006 Jochen Volz guest curated the 27th São Paulo Biennial: How to Live Together, with a special exhibition project in homage to Marcel Broodthaers with Juan Araujo, Mabe Bethônico, Marcel Broodthaers, Marilá Dardot, Tacita Dean, Meschac Gaba, Goshka Macuga, Rirkrit Tiravanija, Haegue Yang. Between 2001 and 2004, he was curator of Portikus, Frankfurt am Main. As a critic he is writing for magazines and catalogues. Together with Daniel Birnbaum, he will be organizing the international section of the 53rd International Art Exhibition, Venice Biennial 2009. Jochen Volz currently holds the Heinz und Giesela Friederichs Stiftung professorship for Art and Architecture 2008-09 at Städelschule.
Donnerstag, 30. Oktober 2008
JÜRGEN MAYER H / ALUMNI ARCHITEKTUR
Herzliche Einladung zu den Veranstaltungen der Städelschule!
the Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Jürgen Mayer H: re:activators
Thursday, 6 November, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Jürgen Mayer H, one of Germany's leading, young architects, returns to Städelschule to lecture on his work that frequently touches on issues related to art and design at large.
Since establishing his office in 1995, Jürgen Mayer H has produced a wide range of objects and buildings, from interior panels, furniture and sculpture, to exhibition installations and large private and public buildings. In the work, Mayer H focuses on the intersection of architecture, communication and new technology. "From urban planning schemes and buildings to installation work and objects with new materials," Mayer H says, "the relationship between the human body, technology and nature form the background for a new production of space."
This focus has led to remarkable results, frequently praised by critics and cherished on the international architecture scene. Mayer H's Stadthaus Scharnhauser Park
und Marktplatz (1998-2002) is an extraordinary early design and won international interest and acclaim; models and drawings of the project have been collected by the Museum of Modern Art in New York. Recent projects include the Town Hall in Ostfildern, Germany, a student center at Karlsruhe University and the redevelopment of the Plaza de la Encarnacion in Sevilla, Spain.
Jürgen Mayer H. studied at Stuttgart University, The Cooper Union and at Princeton Universtiy. His work has been published and exhibited worldwide and is part of international collections like the MoMA New York and SF MoMA. Among the prizes and awards won are the Mies-van-der-Rohe-Award 2003 Emerging Architect and Winner Holcim Awards 2005 Bronze Europe for Metropol Parasol. Jürgen Mayer H. has taught at Princeton University, University of the Arts Berlin, Harvard University, Kunsthochschule Berlin, the Architectural Association in London and is currently teaching at Columbia University in New York.
Die Stiftung Städelschule für Baukunst lädt ein:
Öffentliche Vorträge und Ausstellung von Absolventen der Städelschule Architekturklasse
Samstag, 1. November 2008, 10 Uhr, Deutsches Architekturmuseum, Frankfurt am Main
Die Vorträge finden teils in Deutsch, teils in Englisch statt.
Es sprechen u.a. Prof. Luise King (Berlin), Sir Peter Cook (London), Prof. Johan Bettum (Frankfurt am Main)
Vortragende Absolventen sind: Max Dudler (Zürich), Tomas Saraceno (Frankfurt am Main), Asterios Agkathidis, a3lab (Thessaloniki), Christopher Kelly, Architecture Workshop (Wellington), Prof. Claudio Vekstein (Buenos Aires), Gabi Schillig (Berlin), Jürgen Riehm, 1100 Architect (New York City)
Im Anschluss wird die Ausstellung der Absolventen und gleichzeitig Projekte der heutigen Studierende der Architekturklasse werktags von 8.00 bis 18.00 Uhr vom 3. – 14. November 2008 in der Halle der Städelschule zu sehen sein.
Teilnahmegebühr für Nicht-Alumni 20€ / 35 € (ohne/ mit Teilnahmebescheinigung Fortbildungsveranstaltung).
Weitere Infos siehe: www.stiftung-baukunst.de
the Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Jürgen Mayer H: re:activators
Thursday, 6 November, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Jürgen Mayer H, one of Germany's leading, young architects, returns to Städelschule to lecture on his work that frequently touches on issues related to art and design at large.
Since establishing his office in 1995, Jürgen Mayer H has produced a wide range of objects and buildings, from interior panels, furniture and sculpture, to exhibition installations and large private and public buildings. In the work, Mayer H focuses on the intersection of architecture, communication and new technology. "From urban planning schemes and buildings to installation work and objects with new materials," Mayer H says, "the relationship between the human body, technology and nature form the background for a new production of space."
This focus has led to remarkable results, frequently praised by critics and cherished on the international architecture scene. Mayer H's Stadthaus Scharnhauser Park
und Marktplatz (1998-2002) is an extraordinary early design and won international interest and acclaim; models and drawings of the project have been collected by the Museum of Modern Art in New York. Recent projects include the Town Hall in Ostfildern, Germany, a student center at Karlsruhe University and the redevelopment of the Plaza de la Encarnacion in Sevilla, Spain.
Jürgen Mayer H. studied at Stuttgart University, The Cooper Union and at Princeton Universtiy. His work has been published and exhibited worldwide and is part of international collections like the MoMA New York and SF MoMA. Among the prizes and awards won are the Mies-van-der-Rohe-Award 2003 Emerging Architect and Winner Holcim Awards 2005 Bronze Europe for Metropol Parasol. Jürgen Mayer H. has taught at Princeton University, University of the Arts Berlin, Harvard University, Kunsthochschule Berlin, the Architectural Association in London and is currently teaching at Columbia University in New York.
Die Stiftung Städelschule für Baukunst lädt ein:
Öffentliche Vorträge und Ausstellung von Absolventen der Städelschule Architekturklasse
Samstag, 1. November 2008, 10 Uhr, Deutsches Architekturmuseum, Frankfurt am Main
Die Vorträge finden teils in Deutsch, teils in Englisch statt.
Es sprechen u.a. Prof. Luise King (Berlin), Sir Peter Cook (London), Prof. Johan Bettum (Frankfurt am Main)
Vortragende Absolventen sind: Max Dudler (Zürich), Tomas Saraceno (Frankfurt am Main), Asterios Agkathidis, a3lab (Thessaloniki), Christopher Kelly, Architecture Workshop (Wellington), Prof. Claudio Vekstein (Buenos Aires), Gabi Schillig (Berlin), Jürgen Riehm, 1100 Architect (New York City)
Im Anschluss wird die Ausstellung der Absolventen und gleichzeitig Projekte der heutigen Studierende der Architekturklasse werktags von 8.00 bis 18.00 Uhr vom 3. – 14. November 2008 in der Halle der Städelschule zu sehen sein.
Teilnahmegebühr für Nicht-Alumni 20€ / 35 € (ohne/ mit Teilnahmebescheinigung Fortbildungsveranstaltung).
Weitere Infos siehe: www.stiftung-baukunst.de
DAVID ADJAYE
Herzliche Einladung zu den Veranstaltungen der Städelschule!
the Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
David Adjaye: Art and Architecture
Thursday, 30 Oktober, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
David Adjaye´s work reflects the critical relationship between art and architecture in all its facets. The reciprocal configurations of this relationship range from a public museum (Denver Museum of Modern Art) to the intimacy of a collaborative production (such as the British Pavilion at the Venice Biennial with Chris Ofili an his collaboration with Olafur Eliasson for Your Black Horizon), from a temporary structure for an art fair (Frieze Art Fair) to artists studios and homes (among others for Jake Chapman, Chris Ofili, Tim Noble, Sue Webster), from private galleries (such as Contemporary Fine Arts in Berlin) to his own objects Monoform.
Dar-Es-Salaam-born and London-based architect David Adjaye is recognized as one of the leading architects of his generation. He has held academic positions at Harvard University, University of Pennsylvania in Philadelphia, Princeton University and the Architectural Association. His work has been shown in numerous exhibitions, including David Adjaye: Making Public Buildings (Whitechapel Gallery in London and Studio Museum in Harlem, New York), Manifesta 7 in Bolzano and African Cities (Harvard’s Graduate School of Design). His publications include Houses - Recycling, Reconfiguring, Rebuilding (2005) and Making Public Buildings (2006).
the Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
David Adjaye: Art and Architecture
Thursday, 30 Oktober, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
David Adjaye´s work reflects the critical relationship between art and architecture in all its facets. The reciprocal configurations of this relationship range from a public museum (Denver Museum of Modern Art) to the intimacy of a collaborative production (such as the British Pavilion at the Venice Biennial with Chris Ofili an his collaboration with Olafur Eliasson for Your Black Horizon), from a temporary structure for an art fair (Frieze Art Fair) to artists studios and homes (among others for Jake Chapman, Chris Ofili, Tim Noble, Sue Webster), from private galleries (such as Contemporary Fine Arts in Berlin) to his own objects Monoform.
Dar-Es-Salaam-born and London-based architect David Adjaye is recognized as one of the leading architects of his generation. He has held academic positions at Harvard University, University of Pennsylvania in Philadelphia, Princeton University and the Architectural Association. His work has been shown in numerous exhibitions, including David Adjaye: Making Public Buildings (Whitechapel Gallery in London and Studio Museum in Harlem, New York), Manifesta 7 in Bolzano and African Cities (Harvard’s Graduate School of Design). His publications include Houses - Recycling, Reconfiguring, Rebuilding (2005) and Making Public Buildings (2006).
Freitag, 17. Oktober 2008
ISABELLE GRAW: WHEN LIFE GOES TO WORK: ANDY WARHOL
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Vorlesung
Isabelle Graw:
When life goes to work: Andy Warhol
Dienstag, 21. Oktober, 19 Uhr, Aula
In dieser Vorlesung wird der Künstler Andy Warhol als Theoretiker und Praktiker der "Celebrity Kultur" vorgestellt, von der behauptet wird, dass sie die vielbeschworene Spektakelkultur ablöste. Es sind speziell Warhols Portraits, an denen sich dieser Umschlag des Starsystems in das Celebritywesen ablesen lässt. Doch so wie er auch seine eigenen Undergroundstars produzierte, setzte er dem biopolitischen Interesse am "Leben" sein Produkt entgegen. Man könnte sagen, dass in Warhols Factory das Leben zur Arbeit geht und, dass sich die Kunst hier einmal mehr als Lebenslieferant erweist. Auch im Hinblick auf Markterfordernisse zeichnet sich seine Praxis durch einen Doppelcharakter aus - sie wird als marktkonformistisch und zugleich marktresistent bezeichnet.
Vorlesung
Isabelle Graw:
When life goes to work: Andy Warhol
Dienstag, 21. Oktober, 19 Uhr, Aula
In dieser Vorlesung wird der Künstler Andy Warhol als Theoretiker und Praktiker der "Celebrity Kultur" vorgestellt, von der behauptet wird, dass sie die vielbeschworene Spektakelkultur ablöste. Es sind speziell Warhols Portraits, an denen sich dieser Umschlag des Starsystems in das Celebritywesen ablesen lässt. Doch so wie er auch seine eigenen Undergroundstars produzierte, setzte er dem biopolitischen Interesse am "Leben" sein Produkt entgegen. Man könnte sagen, dass in Warhols Factory das Leben zur Arbeit geht und, dass sich die Kunst hier einmal mehr als Lebenslieferant erweist. Auch im Hinblick auf Markterfordernisse zeichnet sich seine Praxis durch einen Doppelcharakter aus - sie wird als marktkonformistisch und zugleich marktresistent bezeichnet.
Freitag, 19. September 2008
WADE GUYTON
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Lecture:
Wade Guyton
Wednesday, 24th September, 19 h, Aula
Der Vortrag findet in englischer Sprache statt.
The works of New York-based artist Wade Guyton engage the formal repertory of modernism, from Bauhaus and constructivism to Minimal, Conceptual, and Appropriation art. Since 2005, Guyton has worked primarily on canvas; his tool, however, is not the brush but an Epson Stylus inkjet printer, a machine used for large-format prints. Using a computer, Guyton produces abstract paintings: he designs the motifs on the computer and then puts them on canvas using the printer; sources of error such as using a carrier material other than the one for which the machine is conceived, manipulating the color supplies, and deliberately jolting and pulling the material while the printer is working are an intentional part of this process, creating smudges, drippings, or distortions and displacements that turn a model designed for serial reproduction into a series of original objects.
Ausstellung:
Wade Guyton
Eröffnung: 26. September 2008, 20 Uhr, Portikus
Ausstellungsdauer: 27. September - 9. November 2008
Lecture:
Wade Guyton
Wednesday, 24th September, 19 h, Aula
Der Vortrag findet in englischer Sprache statt.
The works of New York-based artist Wade Guyton engage the formal repertory of modernism, from Bauhaus and constructivism to Minimal, Conceptual, and Appropriation art. Since 2005, Guyton has worked primarily on canvas; his tool, however, is not the brush but an Epson Stylus inkjet printer, a machine used for large-format prints. Using a computer, Guyton produces abstract paintings: he designs the motifs on the computer and then puts them on canvas using the printer; sources of error such as using a carrier material other than the one for which the machine is conceived, manipulating the color supplies, and deliberately jolting and pulling the material while the printer is working are an intentional part of this process, creating smudges, drippings, or distortions and displacements that turn a model designed for serial reproduction into a series of original objects.
Ausstellung:
Wade Guyton
Eröffnung: 26. September 2008, 20 Uhr, Portikus
Ausstellungsdauer: 27. September - 9. November 2008
Montag, 7. Juli 2008
END OF YEAR / GREG LYNN / MARTHA ROSLER
Herzliche Einladung zu den Veranstaltungen der Städelschule!
END-OF-YEAR EVENTS
10th - 11th July 2008
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
The End-of-Year Events of the Architecture Class include once more a series of exciting occasions for visiting the Städelschule and enjoying vibrant discussions and talks about architecture. For the series of events, SAC is proud to host numerous world-class theorists and architects, including: Beatriz Colomina (Princeton University), Nikolaus Hirsch, Sanford Kwinter (Rice University and Harvard University), Greg Lynn (Angewandte (Wien) and UCLA), Achim Menges (Stuttgart University), Peter Schmal (German Architectural Museum) and Mark Wigley (Columbia University). These guests join the SAC faculty that counts its dean, Ben van Berkel, Johan Bettum, Sigurdur Gunnarsson and Harald Kloft.
Review of the Research and Experiments by the First Year Group
Thursday, 10th July, 14h, Aula
The work comprises studies of select material-structural phenomena - in particular some that relate to fibrous and textile geometric conditions, analyses of select fashion designers' work and an in-depth study of Kurt Schwitters' Merzbau. The research and experiments have resulted in a series of model propositions that will be further developed for full architectural resolution during the students' second and final Diploma year.
Dean's Honorary Lecture: Greg Lynn
& The Günter Bock Prize: First Year Prize for Excellent Work
Thursday 10th July, 18:30h, Aula
The American architect, Greg Lynn, is, arguably, the inventor of advanced, time-based digital modeling in architecture. In the early 1990s, after having worked for Peter Eisenman, Greg Lynn established himself as one of the most important theorists and practitioners of complexity in architecture. Till this day, his work espouses originality and radical invention as he continues to be one of the central figures on the international, academic scene.
For the second time, the Günter Bock Prize is given out to the First Year Student(s) who has produced the best work in terms of research and experiments with respect to architecture. The prize has been made possible through the generous support of the Lions Club Frankfurt Flughafen, and, like last year, the prize is handed out by the Dean Honorary Lecturer.
Diploma Thesis Review
Friday, 11th July, 10h, Aula
The Diploma Thesis Proposals is for high-rise buildings in Frankfurt and positions hybrid or composite programming with institutional programs as the catalyst for transforming the high-rise building typology. The review sees a panel of excellent critics, including Beatriz Colomina, Sanford Kwinter, Greg Lynn, Achim Menges, Peter Schmal and Mark Wigley in addition to SAC faculty members.
Martha Rosler: location, location, location
Vortrag: 11. Juli , 18.30 Uhr
Eröffnung: 11. Juli, 20 Uhr
Ausstellungsdauer: 12. Juli – 14. September
Der Vortrag findet in englischer Sprache statt.
Seit Ende der sechziger Jahre nimmt Martha Rosler in beißend-kritischen, aber auch humorvollen Arbeiten zu aktuellen und gesellschaftlich relevanten Themen Stellung. Mit ihrem Blick auf die alltäglichen Dinge des Lebens und gesellschaftlichen Konventionen dekonstruiert Rosler Schicht für Schicht die „Mythen des Alltags“. Martha Rosler hat einflussreiche Arbeiten in den Bereichen Fotografie, Installation, Performance, Video, Textarbeiten sowie als Autorin kritischer und theoretischer Ausätze geschaffen. Sie ist keinem speziellen Medium verhaftet und arbeitet mit den Methoden und Strategien, die ihr für die jeweilige Thematik adäquat erscheinen. Ein weiterer wesentlicher Aspekt im Werk von Martha Rosler ist die kritische Auseinandersetzung mit den urbanen Strukturen, in denen wir leben, als den Orten unserer täglichen Erfahrung, sowie ihrer sozialen Implikation.
Wie schon für die documenta 12 und die letztjährigen Skulpturen Projekte Münster hat Martha Rosler für ihre Ausstellung im Portikus eine ortspezifisch motivierte Ausstellungssituation entworfen. Dem Prinzip der Montage folgend untersucht sie verschiedene Aspekte, die aus historischer sowie aus gegenwärtiger Sicht das Image der Stadt Frankfurt als Handelsstadt ausmachen. Martha Rosler geht dabei der Frage nach, aus welchen Teilen sich das „City-Branding“ in einer Stadt wie Frankfurt zusammensetzt.
Die Ausstellung wurde großzügig unterstützt von der Dresdner Bank. Vielen Dank für die Kooperation an: Deutsche Börse Group, Historisches Museum Frankfurt, Jüdisches Museum Frankfurt
END-OF-YEAR EVENTS
10th - 11th July 2008
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
The End-of-Year Events of the Architecture Class include once more a series of exciting occasions for visiting the Städelschule and enjoying vibrant discussions and talks about architecture. For the series of events, SAC is proud to host numerous world-class theorists and architects, including: Beatriz Colomina (Princeton University), Nikolaus Hirsch, Sanford Kwinter (Rice University and Harvard University), Greg Lynn (Angewandte (Wien) and UCLA), Achim Menges (Stuttgart University), Peter Schmal (German Architectural Museum) and Mark Wigley (Columbia University). These guests join the SAC faculty that counts its dean, Ben van Berkel, Johan Bettum, Sigurdur Gunnarsson and Harald Kloft.
Review of the Research and Experiments by the First Year Group
Thursday, 10th July, 14h, Aula
The work comprises studies of select material-structural phenomena - in particular some that relate to fibrous and textile geometric conditions, analyses of select fashion designers' work and an in-depth study of Kurt Schwitters' Merzbau. The research and experiments have resulted in a series of model propositions that will be further developed for full architectural resolution during the students' second and final Diploma year.
Dean's Honorary Lecture: Greg Lynn
& The Günter Bock Prize: First Year Prize for Excellent Work
Thursday 10th July, 18:30h, Aula
The American architect, Greg Lynn, is, arguably, the inventor of advanced, time-based digital modeling in architecture. In the early 1990s, after having worked for Peter Eisenman, Greg Lynn established himself as one of the most important theorists and practitioners of complexity in architecture. Till this day, his work espouses originality and radical invention as he continues to be one of the central figures on the international, academic scene.
For the second time, the Günter Bock Prize is given out to the First Year Student(s) who has produced the best work in terms of research and experiments with respect to architecture. The prize has been made possible through the generous support of the Lions Club Frankfurt Flughafen, and, like last year, the prize is handed out by the Dean Honorary Lecturer.
Diploma Thesis Review
Friday, 11th July, 10h, Aula
The Diploma Thesis Proposals is for high-rise buildings in Frankfurt and positions hybrid or composite programming with institutional programs as the catalyst for transforming the high-rise building typology. The review sees a panel of excellent critics, including Beatriz Colomina, Sanford Kwinter, Greg Lynn, Achim Menges, Peter Schmal and Mark Wigley in addition to SAC faculty members.
Martha Rosler: location, location, location
Vortrag: 11. Juli , 18.30 Uhr
Eröffnung: 11. Juli, 20 Uhr
Ausstellungsdauer: 12. Juli – 14. September
Der Vortrag findet in englischer Sprache statt.
Seit Ende der sechziger Jahre nimmt Martha Rosler in beißend-kritischen, aber auch humorvollen Arbeiten zu aktuellen und gesellschaftlich relevanten Themen Stellung. Mit ihrem Blick auf die alltäglichen Dinge des Lebens und gesellschaftlichen Konventionen dekonstruiert Rosler Schicht für Schicht die „Mythen des Alltags“. Martha Rosler hat einflussreiche Arbeiten in den Bereichen Fotografie, Installation, Performance, Video, Textarbeiten sowie als Autorin kritischer und theoretischer Ausätze geschaffen. Sie ist keinem speziellen Medium verhaftet und arbeitet mit den Methoden und Strategien, die ihr für die jeweilige Thematik adäquat erscheinen. Ein weiterer wesentlicher Aspekt im Werk von Martha Rosler ist die kritische Auseinandersetzung mit den urbanen Strukturen, in denen wir leben, als den Orten unserer täglichen Erfahrung, sowie ihrer sozialen Implikation.
Wie schon für die documenta 12 und die letztjährigen Skulpturen Projekte Münster hat Martha Rosler für ihre Ausstellung im Portikus eine ortspezifisch motivierte Ausstellungssituation entworfen. Dem Prinzip der Montage folgend untersucht sie verschiedene Aspekte, die aus historischer sowie aus gegenwärtiger Sicht das Image der Stadt Frankfurt als Handelsstadt ausmachen. Martha Rosler geht dabei der Frage nach, aus welchen Teilen sich das „City-Branding“ in einer Stadt wie Frankfurt zusammensetzt.
Die Ausstellung wurde großzügig unterstützt von der Dresdner Bank. Vielen Dank für die Kooperation an: Deutsche Börse Group, Historisches Museum Frankfurt, Jüdisches Museum Frankfurt
Mittwoch, 2. Juli 2008
REALISM - J. RAETHER, K. STAKEMEIER, H. STEYERL
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Realism – Conversation with Johannes Raether, Kerstin Stakemeier and Hito Steyerl
Sunday, 6th July, 16:30 h, Frankfurter Kunstverein
Der Vortrag findet in englischer Sprache statt.
The topic of this discussion event is artistic Realism – not as a term that defines a technique of copying reality but as a method of critical intervention into the production of that reality. Taking into consideration its complex history, present definitions of realism will be discussed in the context of their political development. What does it mean to define realism as a critical stance toward artistic production today? Which methods might enable the construction of realist views on the changeability of our present?
This round table discussion is organized as part of the project “Trompe-l’œil Polizei” by the Realism Working Group // Free Class Frankfurt/M. The group produced a bi-lingual newspaper (German/English) that is dedicated to the topic of realism, as well as the significance of collaborative strategies. It comprises interviews with “Chto delat?” and Claire Fontaine, an article by Johannes Raether and Kerstin Stakemeier as well as texts and images by the members of the Realism Working Group. This newspaper is available in the “10 Reasons to be a Member” space at the Frankfurter Kunstverein for free distribution and online at: http://realismworkinggroup.wordpress.com.
Furthermore, the project includes a film program at Frankfurter Kunstverein and a series of workshops at HfBK Städelschule.
For further information on this and other projects of the Free Class Frankfurt/M visit: http://freeclassfrankfurt.wordpress.com
This talk is a cooperation between Frankfurter Kunstverein and Städelschule.
Realism – Conversation with Johannes Raether, Kerstin Stakemeier and Hito Steyerl
Sunday, 6th July, 16:30 h, Frankfurter Kunstverein
Der Vortrag findet in englischer Sprache statt.
The topic of this discussion event is artistic Realism – not as a term that defines a technique of copying reality but as a method of critical intervention into the production of that reality. Taking into consideration its complex history, present definitions of realism will be discussed in the context of their political development. What does it mean to define realism as a critical stance toward artistic production today? Which methods might enable the construction of realist views on the changeability of our present?
This round table discussion is organized as part of the project “Trompe-l’œil Polizei” by the Realism Working Group // Free Class Frankfurt/M. The group produced a bi-lingual newspaper (German/English) that is dedicated to the topic of realism, as well as the significance of collaborative strategies. It comprises interviews with “Chto delat?” and Claire Fontaine, an article by Johannes Raether and Kerstin Stakemeier as well as texts and images by the members of the Realism Working Group. This newspaper is available in the “10 Reasons to be a Member” space at the Frankfurter Kunstverein for free distribution and online at: http://realismworkinggroup.wordpress.com.
Furthermore, the project includes a film program at Frankfurter Kunstverein and a series of workshops at HfBK Städelschule.
For further information on this and other projects of the Free Class Frankfurt/M visit: http://freeclassfrankfurt.wordpress.com
This talk is a cooperation between Frankfurter Kunstverein and Städelschule.
Mittwoch, 18. Juni 2008
ERIC D. CLARK
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Eric D. Clark:
Self Marketing in the private art sectors, or "Basic Schmoozing"
How to maximize your potential in the field of the arts you deem your own strength
Tuesday, 24th June, 19 h, Aula
Der Vortrag findet in englischer Sprache statt.
Born beautiful and talented, Eric mastered piano by 10, at the same age was recruited to play for God at the Allen Chappell A.M.E. Church, leading his own choir of 5-12 year olds ’the Angel Choir‘ in all Sunday processions. His belief was compounded when he read a Jehovah's Witness ’Watchtower‘ magazine where ’disco‘ was described as ”devil music, fueled by drugs and false euphoria“ -he had found his vocation. In search of better records Eric went from California via Paris to Cologne where he meets Hans Nieswandt and does a series of parties known as the legendary ’Whirlpool Parties‘, understanding "Whirlpool" in the sense to be euphemism to a mixture of events and not solely funneled into one mono sensory direction. Asked what influenced him in his work he names among hundred others: Cabaret Voltaire, Oscar Wilde, Chopin, Vocoder’s, The Tele Harmonium, telephone, nintendo64, David Bowie, logarithms, Monty Python, Nirvana, George & Ira Gershwin, Barbara Streisand, Janet Jackson, Sonic Youth, Josephine Baker, Yves Saint Laurent, Sir Sean Connery, conspiracy and game theory, Martin Kippenberger, Skunk Anansie, The Simpsons, AC/DC, Japan, Zappa, Chicks on Speed, Bauhaus (the band and the architecture school NOT the chain store in Germany), Nina Hagen, Stockhausen, David Lynch, KISS, Bananarama, The Pet Shop Boys, The Harlem Globetrotters, Madonna, Albert Camus, Pasolini and Naomi Campbell. He is based in Berlin.
Eric D. Clark:
Self Marketing in the private art sectors, or "Basic Schmoozing"
How to maximize your potential in the field of the arts you deem your own strength
Tuesday, 24th June, 19 h, Aula
Der Vortrag findet in englischer Sprache statt.
Born beautiful and talented, Eric mastered piano by 10, at the same age was recruited to play for God at the Allen Chappell A.M.E. Church, leading his own choir of 5-12 year olds ’the Angel Choir‘ in all Sunday processions. His belief was compounded when he read a Jehovah's Witness ’Watchtower‘ magazine where ’disco‘ was described as ”devil music, fueled by drugs and false euphoria“ -he had found his vocation. In search of better records Eric went from California via Paris to Cologne where he meets Hans Nieswandt and does a series of parties known as the legendary ’Whirlpool Parties‘, understanding "Whirlpool" in the sense to be euphemism to a mixture of events and not solely funneled into one mono sensory direction. Asked what influenced him in his work he names among hundred others: Cabaret Voltaire, Oscar Wilde, Chopin, Vocoder’s, The Tele Harmonium, telephone, nintendo64, David Bowie, logarithms, Monty Python, Nirvana, George & Ira Gershwin, Barbara Streisand, Janet Jackson, Sonic Youth, Josephine Baker, Yves Saint Laurent, Sir Sean Connery, conspiracy and game theory, Martin Kippenberger, Skunk Anansie, The Simpsons, AC/DC, Japan, Zappa, Chicks on Speed, Bauhaus (the band and the architecture school NOT the chain store in Germany), Nina Hagen, Stockhausen, David Lynch, KISS, Bananarama, The Pet Shop Boys, The Harlem Globetrotters, Madonna, Albert Camus, Pasolini and Naomi Campbell. He is based in Berlin.
Dienstag, 10. Juni 2008
HELMUT DRAXLER
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Hinweis:
Aufgrund einer Erkrankung von Prof. Näher muss der Vortrag "Rebellen" am Freitag, 13.6.2008 leider entfallen und wird im Wintersemester nachgeholt.
Note: Due to illness of Prof. Näher the lecture "Rebels" on Friday, 13th June has to be postponed to the winter term.
Helmut Draxler: Substance vs Shandy
Wednesday, 18th June, 19 h, Aula
Der Vortrag findet in englischer Sprache statt.
‚Substance’ is not only a category for a deeper understanding of an artwork, but an aesthetic category of its own. In a certain sense it is the aesthetic category since the late 18th century, functioning as a sort of back ground metaphor for all the other aesthetic categories. Therefore, idealistic and anti-idealistic positions in art criticism and art practice can be understood as a struggling for the better understanding of what ‘substance’ is about. That is why, especially anti-idealistic positions are easily trapped in their own preliminary idealistic decisions. For a more subtle way to negotiate ‘substance’ I suggest the ‘shandean’ tradition, based on Lawrence Sterne’s famous novel Tristram Shandy.
A presentation of of three books by Helmut Draxler
- Gefährliche Substanzen. Zum Verhältnis von Kritik und Kunst, Berlin 2007
- Die Gewalt des Zusammenhangs. Raum, Referenz und Repräsentation bei Fareed Armaly, Berlin 2007 (Coercing Constellations. Space, Reference, and Representation in Fareed Armaly)
- Shandyismus. Autorschaft als Genre, Stuttgart 2007 (Shandyism. Authorship as Genre)
Hinweis:
Aufgrund einer Erkrankung von Prof. Näher muss der Vortrag "Rebellen" am Freitag, 13.6.2008 leider entfallen und wird im Wintersemester nachgeholt.
Note: Due to illness of Prof. Näher the lecture "Rebels" on Friday, 13th June has to be postponed to the winter term.
Helmut Draxler: Substance vs Shandy
Wednesday, 18th June, 19 h, Aula
Der Vortrag findet in englischer Sprache statt.
‚Substance’ is not only a category for a deeper understanding of an artwork, but an aesthetic category of its own. In a certain sense it is the aesthetic category since the late 18th century, functioning as a sort of back ground metaphor for all the other aesthetic categories. Therefore, idealistic and anti-idealistic positions in art criticism and art practice can be understood as a struggling for the better understanding of what ‘substance’ is about. That is why, especially anti-idealistic positions are easily trapped in their own preliminary idealistic decisions. For a more subtle way to negotiate ‘substance’ I suggest the ‘shandean’ tradition, based on Lawrence Sterne’s famous novel Tristram Shandy.
A presentation of of three books by Helmut Draxler
- Gefährliche Substanzen. Zum Verhältnis von Kritik und Kunst, Berlin 2007
- Die Gewalt des Zusammenhangs. Raum, Referenz und Repräsentation bei Fareed Armaly, Berlin 2007 (Coercing Constellations. Space, Reference, and Representation in Fareed Armaly)
- Shandyismus. Autorschaft als Genre, Stuttgart 2007 (Shandyism. Authorship as Genre)
Freitag, 6. Juni 2008
THOMAS WAGNER / LE CORBUSIER / CHRISTA NÄHER
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Thomas Wagner:
Das Werk verflüchtigt sich wie ein Duft. Marcel Duchamp´s Ästhetik des Atmosphärischen
1. Teil: Dienstag, 10. Juni, 19 Uhr, Aula
2. Teil: Mittwoch, 11. Juni, 19 Uhr, Aula
Werk und Person Marcel Duchamps (1887 bis 1968) kommen innerhalb der Kunst und der Kunstgeschichte des 20. Jahrhunderts eine zentrale Rolle zu. Wie kein anderer hat er unsere Vorstellungen vom Kunstwerk, seinem Produzenten und seinem Rezipienten verändert und eine neue Möglichkeit der künstlerischen Haltung vorgelebt.
Dabei hat der Meta-Ironiker gern gespielt, oft falsche Köder ausgelegt, gegen die Netzhautkunst polemisiert und Widerstand gegen all das geleistet, was mit Geschmack zu tun hat. Lieber lauschte er dem ästhetischen Echo und ließ die grauen Zellen arbeiten. Auf welche Weise aber verweist in seinen „Werken“ das Sichtbare auf das Unsichtbare? Welche Rolle spielt das Atmosphärische innerhalb seiner Arbeiten? Und verbirgt sich in seinem Konzept des „infra-mince“ gar so etwas wie eine späte Ästhetik?
the Architecture Class presents:
Art & Architecture - Public Lecture Series Summer Semester 2008
Le Corbusier – Film & Television for Architecture
Thursday, 12 June, 14h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Due to scheduling conflicts, the originally planned conference on ‘Le Corbusier, Art and Architecture’ is deferred to autumn.
In place of the planned event, the Architecture Class hosts an event on Le Corbusier & film and television as part of an extended program on the architect’s engagement with the arts and media.
At the time when the French architect, Le Corbusier, engaged with the arts in conjunction with producing his many influential works, he also embraced the new media of film and, shortly thereafter, television. According to Beatriz Colomina, professor at Princeton University, ‘modern architecture only becomes modern with its engagement with the media.’ Architecture thus becomes constructed as an immaterial series of images in the public imagination, and Le Corbusier actively engaged with the new media to convey his architectural visions as much as to promote himself in the public realm. In consequence, the building, as the ultimate artifact of architecture, was displaced through reproduction and a specific narrative. The inquiry into the subject matter holds continued relevance at a time when various forms of media have taken on increased importance in conveying architecture within the field as well as to an international, public audience at large.
The program includes lectures by Beatriz Colomina and Véronique Boone. A series of films, film- and television clips will be screened. The talks and the viewings will be followed by an open discussion that includes the participation of Sanford Kwinter as well as Daniel Birnbaum, Ben van Berkel and Johan Bettum.
Beatriz Colomina is an architectural theorist and associate professor in the School of Architecture and guest professor for Architecture History at Städelschule.
She has written extensively on questions of architecture and the modern institutions of representation, particularly the printed media, photography, advertising, film and TV.
Veronique Boone studied architecture at the University of Ghent and holds a Master Histoire de l'architecture from the Sorbonne in Paris. Her research is focused on the representation of architecture in film and photography. Her book, Le Corbusier et le film, la promotion d'une oeuvre, will be issued by the French publisher Picard this year.
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
Christa Näher:
Rebellen. Gilles Deleuze, Glenn Gould und Yeshayahu Leibovitz
Freitag, 13. Juni, Daimlerstr. 32
Der Vortag wurde inspiriert durch folgende provokante Aussage P.P. Pasolini´s: am meisten liebe er die Menschen, welche gerade mal das vierte Schuljahr erreicht hätten, oder aber die “Hochgebildeten”, dazwischen läge die Bourgeoise, gebildet Mittel- und Oberschicht, welch zu den infamsten Grausamkeiten in der Lage seien.
Gilles Deleuze, Yeshayahu Leibovitz und Glenn Gould sind ohne Zweifel hochgebildete, außergewöhnliche Begabungen. Auffallend ist, dass sie alle auf eine unerschütterliche, überaus leicht verständliche und schöne Weise menschlich sind.
Thomas Wagner:
Das Werk verflüchtigt sich wie ein Duft. Marcel Duchamp´s Ästhetik des Atmosphärischen
1. Teil: Dienstag, 10. Juni, 19 Uhr, Aula
2. Teil: Mittwoch, 11. Juni, 19 Uhr, Aula
Werk und Person Marcel Duchamps (1887 bis 1968) kommen innerhalb der Kunst und der Kunstgeschichte des 20. Jahrhunderts eine zentrale Rolle zu. Wie kein anderer hat er unsere Vorstellungen vom Kunstwerk, seinem Produzenten und seinem Rezipienten verändert und eine neue Möglichkeit der künstlerischen Haltung vorgelebt.
Dabei hat der Meta-Ironiker gern gespielt, oft falsche Köder ausgelegt, gegen die Netzhautkunst polemisiert und Widerstand gegen all das geleistet, was mit Geschmack zu tun hat. Lieber lauschte er dem ästhetischen Echo und ließ die grauen Zellen arbeiten. Auf welche Weise aber verweist in seinen „Werken“ das Sichtbare auf das Unsichtbare? Welche Rolle spielt das Atmosphärische innerhalb seiner Arbeiten? Und verbirgt sich in seinem Konzept des „infra-mince“ gar so etwas wie eine späte Ästhetik?
the Architecture Class presents:
Art & Architecture - Public Lecture Series Summer Semester 2008
Le Corbusier – Film & Television for Architecture
Thursday, 12 June, 14h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Due to scheduling conflicts, the originally planned conference on ‘Le Corbusier, Art and Architecture’ is deferred to autumn.
In place of the planned event, the Architecture Class hosts an event on Le Corbusier & film and television as part of an extended program on the architect’s engagement with the arts and media.
At the time when the French architect, Le Corbusier, engaged with the arts in conjunction with producing his many influential works, he also embraced the new media of film and, shortly thereafter, television. According to Beatriz Colomina, professor at Princeton University, ‘modern architecture only becomes modern with its engagement with the media.’ Architecture thus becomes constructed as an immaterial series of images in the public imagination, and Le Corbusier actively engaged with the new media to convey his architectural visions as much as to promote himself in the public realm. In consequence, the building, as the ultimate artifact of architecture, was displaced through reproduction and a specific narrative. The inquiry into the subject matter holds continued relevance at a time when various forms of media have taken on increased importance in conveying architecture within the field as well as to an international, public audience at large.
The program includes lectures by Beatriz Colomina and Véronique Boone. A series of films, film- and television clips will be screened. The talks and the viewings will be followed by an open discussion that includes the participation of Sanford Kwinter as well as Daniel Birnbaum, Ben van Berkel and Johan Bettum.
Beatriz Colomina is an architectural theorist and associate professor in the School of Architecture and guest professor for Architecture History at Städelschule.
She has written extensively on questions of architecture and the modern institutions of representation, particularly the printed media, photography, advertising, film and TV.
Veronique Boone studied architecture at the University of Ghent and holds a Master Histoire de l'architecture from the Sorbonne in Paris. Her research is focused on the representation of architecture in film and photography. Her book, Le Corbusier et le film, la promotion d'une oeuvre, will be issued by the French publisher Picard this year.
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
Christa Näher:
Rebellen. Gilles Deleuze, Glenn Gould und Yeshayahu Leibovitz
Freitag, 13. Juni, Daimlerstr. 32
Der Vortag wurde inspiriert durch folgende provokante Aussage P.P. Pasolini´s: am meisten liebe er die Menschen, welche gerade mal das vierte Schuljahr erreicht hätten, oder aber die “Hochgebildeten”, dazwischen läge die Bourgeoise, gebildet Mittel- und Oberschicht, welch zu den infamsten Grausamkeiten in der Lage seien.
Gilles Deleuze, Yeshayahu Leibovitz und Glenn Gould sind ohne Zweifel hochgebildete, außergewöhnliche Begabungen. Auffallend ist, dass sie alle auf eine unerschütterliche, überaus leicht verständliche und schöne Weise menschlich sind.
Mittwoch, 4. Juni 2008
ARMIN LINKE / GARRY NEILL KENNEDY / TROMPE-L´OEIL POLIZEI
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Armin Linke:
phenotypes and other works
Wednesday, 4th June, 19 h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Armin Linke’s installation Phenotypes/Limited Forms, which is shown in ZKM, analyzes the public utility of his online-photographic archive. Linke’s online archive contains photographs of locations in Nigeria, China, Cyprus, of the G8-Summit in Genoa, a NASA-base in California, the documenta etc. As an interactive internet project Book on Demand, the photographic archive had already been presented as part of the Utopia Station at the Venice Biennale, 2003. Armin Linke will present phenotypes and other recent projects.
Armin Linke lives in Milan and Berlin.
As a photographer and filmmaker he is working on an ongoing archive about human activity and the most varied natural and man-made landscapes.
He tries to document scenes where the boundary between fiction and non-fiction blurs or becomes invisible.
Garry Neill Kennedy:
The Colours of Citizen Arar and other works
Thursday, 5th June, 19 h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Maher Arar, a Canadian Citizen, was apprehended by US officials while in transit at New York's JFK airport when returning home in 2002 from a family vacation. He was subsequently sent from the US to Syria where he endured a year of imprisonment and torture. Upon his return to Canada he was completely vindicated of any wrongdoing (2006). Kennedy's large wall painting and booklet, The Colours of Citizen Arar attempts as an artwork to bring forward the tragic experiences of Maher Arar.
Garry Neill Kennedy is a Canadian artist who lives in Halifax, Nova Scotia. In addition to an active career as an artist he has been teaching at the Nova Scotia College of Art and Design (NSCAD University) for over forty years where he also served as president. He was visiting professor at California Institute of the Arts (Cal Arts) and Ecole des Beaux Arts, Paris (ensba). His most recent solo museum exhibitions were held at the National Gallery of Canada, The Art Gallery of Nova Scotia and Portikus (Frankfurt am Main). He is currently editing a book/catalogue for MIT Press with working title, NSCAD: The Conceptual Art Years.
Free Class Frankfurt/M: Trompe-l'œil Polizei (10 Reasons To Be A Member #16)
Eröffnung: Freitag, 6. Juni, 20 Uhr, Frankfurter Kunstverein
Ausstellung: 07. Juni - 07. September 2008
Die „Realism Working Group“ der Free Class Frankfurt/M. widmet sich in ihrem Beitrag für den 10 Reasons to be a Member - Raum des Frankfurter Kunstvereins dem Verhältnis von Kunst und Wirklichkeitsproduktion. Aktuelle gesellschaftliche Realitäten basieren nicht auf Naturgewalten, sondern auf einer diffusen polizeilichen Ordnung konstruierter 'Sachzwänge'. Ausgehend von dieser Prämisse sucht die Gruppe nach künstlerisch-kollaborativen Methoden, welche die Veränderlichkeit unserer Gegenwart in den Vordergrund stellen. Neben der Gestaltung einer Ausstellung produziert die Gruppe eine Zeitung die sich der Aktualität des Begriffs 'Realismus' widmet und dabei zugleich die Bedeutung kollaborativer Strategien diskutiert. Begleitend gibt es ein Film- und Diskussionsprogramm.
Die Free Class Frankfurt/M. ist ein loser Zusammenhang von KünstlerInnen die eine gemeinsame Diskussion über Kunst und Politik verbindet. Innerhalb der Free Class werden dabei verschiedene Arbeitsgruppen und experimentelle Initiativen zu unterschiedlichen Themen entwickelt. Mitglieder der “Realism Working Group” sind: Rebecca Ann Tess, Michael Eddy, Jonas Jensen, Martin Kirchner, Flo Maak, Siw Umsonst und Jeronimo Voss.
Ursprung und momentane Heimat der Free Class ist die Städelschule.
Dieses Projekt für den 10 reasons to be a Member - Raum wurde initiiert von Tobi Maier (Kurator, Frankfurter Kunstverein).
Mehr Information: http://freeclassfrankfurt.wordpress.com/ und www.fkv.de
Armin Linke:
phenotypes and other works
Wednesday, 4th June, 19 h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Armin Linke’s installation Phenotypes/Limited Forms, which is shown in ZKM, analyzes the public utility of his online-photographic archive. Linke’s online archive contains photographs of locations in Nigeria, China, Cyprus, of the G8-Summit in Genoa, a NASA-base in California, the documenta etc. As an interactive internet project Book on Demand, the photographic archive had already been presented as part of the Utopia Station at the Venice Biennale, 2003. Armin Linke will present phenotypes and other recent projects.
Armin Linke lives in Milan and Berlin.
As a photographer and filmmaker he is working on an ongoing archive about human activity and the most varied natural and man-made landscapes.
He tries to document scenes where the boundary between fiction and non-fiction blurs or becomes invisible.
Garry Neill Kennedy:
The Colours of Citizen Arar and other works
Thursday, 5th June, 19 h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Maher Arar, a Canadian Citizen, was apprehended by US officials while in transit at New York's JFK airport when returning home in 2002 from a family vacation. He was subsequently sent from the US to Syria where he endured a year of imprisonment and torture. Upon his return to Canada he was completely vindicated of any wrongdoing (2006). Kennedy's large wall painting and booklet, The Colours of Citizen Arar attempts as an artwork to bring forward the tragic experiences of Maher Arar.
Garry Neill Kennedy is a Canadian artist who lives in Halifax, Nova Scotia. In addition to an active career as an artist he has been teaching at the Nova Scotia College of Art and Design (NSCAD University) for over forty years where he also served as president. He was visiting professor at California Institute of the Arts (Cal Arts) and Ecole des Beaux Arts, Paris (ensba). His most recent solo museum exhibitions were held at the National Gallery of Canada, The Art Gallery of Nova Scotia and Portikus (Frankfurt am Main). He is currently editing a book/catalogue for MIT Press with working title, NSCAD: The Conceptual Art Years.
Free Class Frankfurt/M: Trompe-l'œil Polizei (10 Reasons To Be A Member #16)
Eröffnung: Freitag, 6. Juni, 20 Uhr, Frankfurter Kunstverein
Ausstellung: 07. Juni - 07. September 2008
Die „Realism Working Group“ der Free Class Frankfurt/M. widmet sich in ihrem Beitrag für den 10 Reasons to be a Member - Raum des Frankfurter Kunstvereins dem Verhältnis von Kunst und Wirklichkeitsproduktion. Aktuelle gesellschaftliche Realitäten basieren nicht auf Naturgewalten, sondern auf einer diffusen polizeilichen Ordnung konstruierter 'Sachzwänge'. Ausgehend von dieser Prämisse sucht die Gruppe nach künstlerisch-kollaborativen Methoden, welche die Veränderlichkeit unserer Gegenwart in den Vordergrund stellen. Neben der Gestaltung einer Ausstellung produziert die Gruppe eine Zeitung die sich der Aktualität des Begriffs 'Realismus' widmet und dabei zugleich die Bedeutung kollaborativer Strategien diskutiert. Begleitend gibt es ein Film- und Diskussionsprogramm.
Die Free Class Frankfurt/M. ist ein loser Zusammenhang von KünstlerInnen die eine gemeinsame Diskussion über Kunst und Politik verbindet. Innerhalb der Free Class werden dabei verschiedene Arbeitsgruppen und experimentelle Initiativen zu unterschiedlichen Themen entwickelt. Mitglieder der “Realism Working Group” sind: Rebecca Ann Tess, Michael Eddy, Jonas Jensen, Martin Kirchner, Flo Maak, Siw Umsonst und Jeronimo Voss.
Ursprung und momentane Heimat der Free Class ist die Städelschule.
Dieses Projekt für den 10 reasons to be a Member - Raum wurde initiiert von Tobi Maier (Kurator, Frankfurter Kunstverein).
Mehr Information: http://freeclassfrankfurt.wordpress.com/ und www.fkv.de
EINEN ROLAND FÜR EINEN OLIVER / SCHLITTSCHUHLAUFEN AUF CANAL GRANDE / I AM A MAN
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Klasse Tobias Rehberger: Einen Roland für einen Oliver
Eröffnung: Freitag, 30. Mai, 20 Uhr, Kunstverein Wilhelmshöhe Ettlingen e. V.
Ausstellung: 31. Mai – 20. Juni 2008
Klasse Tobias Rehberger: Florencia Colombo, Zachary Dempster, Pedro Miguel de Faria Lagoa, Othmar Farre, Martin Flemming, Jorma Foth, Philip Götze, Sandra Havlicek, Hanna Hildebrand, Janus Hochgesand, Yngve Holen, Ilja Karilampi, Sean Kennedy, Yasuaki Kitagawa, Laura Kuch, Sascha Langer, Shane Munroe, Pasquale Pennacchio & Marisa Argentato, Att Poomtangon, Laura Schawelka, Marcel Schiele, Christian Tonner, Jeronimo Voss, Naneci Yurdagül, Hendrik Zimmer
Eines steht fest: In der Klasse gibt es weder einen Roland noch einen Oliver. Das ist gut so, denn sonst würde der Ausstellungstitel (die Übersetzung einer englischen Redewendung, die soviel bedeutet wie „Schlag auf Schlag“ oder „wie du mir so ich dir“) im Widerspruch zur geplanten „Versuchsanordnung“ stehen. Ausgangspunkt der Ausstellung der Klasse Tobias Rehberger im Kunstverein Ettlingen ist ein egalitäres Prinzip: 26 Studenten und Studentinnen zählt die Klasse. Alle werden in Ettlingen ausstellen. So wenig wie eine Auswahl innerhalb der Klasse getroffen wurde, so wenig wurde an einem „gemeinsamen“ Projekt gearbeitet. Im Gegenteil ist jede/jeder Teilnehmende aufgefordert ihre/seine neue Arbeit nicht nur eigenständig zu entwickeln, sondern sie auch nicht mit den MitstudentInnen abzusprechen. „Kunst machen“ bedeutet Entscheidungen zu fällen, ohne sich auf bewährte Erfahrungswerte berufen zu können. Je weniger Vorgaben desto mehr Entscheidungen.
Zur Ausstellung entsteht ein kleiner Katalog, der das Prinzip der Ausstellung im anderen Medium fortsetzen wird.
Öffnungszeiten im Kunstverein Wilhelmshöhe Ettlingen sind: Mi-Sa 15-18 Uhr, So 11-18 Uhr.
Kunstverein Wilhelmshöhe Ettlingen e. V.
Schöllbronner Str. 86
+49-(0)7243-13874
info@kunstverein-ettlingen.de
www.kunstverein-ettlingen.de
Klasse Christa Näher: "SCHLITTSCHUHLAUFEN AUF CANAL GRANDE"
Eröffnung: Samstag, 31. Mai, ab 15 Uhr, Leonhardi Kulturprojekte, Groß-Karben
Ausstellung: 1. Juni - 13. Juli 2008
Klasse Christa Näher: Carolin Bühler, Murray Gaylard, Elisabeth Hatscher, Britta Kamptner, Xue Liu, Silja Nordhoff, Sarah Schoderer, Rene Schohe, Jessica Sehrt, Cristina Szilly
"Venedig, sagt man, habe die Form eines Fisches. Und wie ein Meerestier bewegt es sich auch in der Lagune, sinkt unter die Wasseroberfläche, aber taucht zum Luftholen wieder auf, neugierig und gespannt betrachtet es die Touristen, die, bewaffnet mit Masken und Fotokameras, durch die Stadt vorrücken, immer bereit, sich wie ein Einsiedlerkrebs in sein Haus zurückzuziehen." (Paola Cantu, 2008:1)
Klischees versperren den Blick auf Venedig. Etwas Wahres an Venedig zu entdecken, ist kaum möglich. Dass Venedig zudem eine Allegorie ist, erschwert die Annäherung, denn auf Venedig trifft Schlegels Aussage, "alle Schönheit ist Allegorie", noch zu. Durch die Schönheit bezog sich die Allegorie in der Romantik auf das Unaussprechliche, als sich die ästhetische Autonomie noch in der Einheit von Bild und Sinn rechtfertigte, die sie in der Allegorie zu deuten versuchte. Die Klasse Näher, die zusammen im Dezember 2007 nach Venedig gereist ist, widmet sich mit dieser Ausstellung dieser unvergleichlichen Stadt.
Ein Katalog zur Ausstellung ist in Vorbereitung.
Öffnungszeiten der Ausstellung: Mittwoch, Samstag und Sonntag 14 - 18 Uhr und nach Vereinbarung, info@leonhardikulturprojekte.org (+49-176-62006867)
Leonhardi Kulturprojekte
Burghof | Burggräfenröderstr. 2
61184 Karben
info@leonhardikulturprojekte.org
http://www.leonhardikulturprojekte.org
Filmvorführung:
"I AM A MAN"
Offizieller Film der Parade von Arto Lindsay und Studierenden der Städelschule
Ein Film von Mario Pfeifer
Samstag, 31. Mai, 20:30 Uhr, Städelschule Garten
Filmvorführung gegen 22:00 Uhr, Dauer 26. Min
Für Getränke ist gesorgt.
Anlässlich der zweijährlich stattfindenden Frankfurter Positionen hat der Portikus und das MMK den in Rio de Janeiro lebenden Musiker und Künstler Arto Lindsay eingeladen, ein Projekt im öffentlichen Raum zu konzipieren. Gemeinsam mit Studierenden der Städelschule, dem italienischen Musiker und Künstler Nico Vascellari, dem brasilianischen Schlagzeuger Marivaldo Paim und dem in Paris lebenden Tänzer Richard Siegal veranstaltete er eine Parade, die mit großem Erfolg in Frankfurt am 19. April stattgefunden hat. Der Dokumentationsfilm dieser Kunstaktion feiert am kommenden Samstag seine Premiere und wird in Kürze auch käuflich bei den beteiligten Insitutionen erhältlich sein.
I AM A MAN war ein Projekt des MMK Frankfurt und des Portikus im Rahmen der Frankfurter Positionen 2008, einer Initiative der BHF-BANK-STIFTUNG
www.frankfurterpositionen.de
Klasse Tobias Rehberger: Einen Roland für einen Oliver
Eröffnung: Freitag, 30. Mai, 20 Uhr, Kunstverein Wilhelmshöhe Ettlingen e. V.
Ausstellung: 31. Mai – 20. Juni 2008
Klasse Tobias Rehberger: Florencia Colombo, Zachary Dempster, Pedro Miguel de Faria Lagoa, Othmar Farre, Martin Flemming, Jorma Foth, Philip Götze, Sandra Havlicek, Hanna Hildebrand, Janus Hochgesand, Yngve Holen, Ilja Karilampi, Sean Kennedy, Yasuaki Kitagawa, Laura Kuch, Sascha Langer, Shane Munroe, Pasquale Pennacchio & Marisa Argentato, Att Poomtangon, Laura Schawelka, Marcel Schiele, Christian Tonner, Jeronimo Voss, Naneci Yurdagül, Hendrik Zimmer
Eines steht fest: In der Klasse gibt es weder einen Roland noch einen Oliver. Das ist gut so, denn sonst würde der Ausstellungstitel (die Übersetzung einer englischen Redewendung, die soviel bedeutet wie „Schlag auf Schlag“ oder „wie du mir so ich dir“) im Widerspruch zur geplanten „Versuchsanordnung“ stehen. Ausgangspunkt der Ausstellung der Klasse Tobias Rehberger im Kunstverein Ettlingen ist ein egalitäres Prinzip: 26 Studenten und Studentinnen zählt die Klasse. Alle werden in Ettlingen ausstellen. So wenig wie eine Auswahl innerhalb der Klasse getroffen wurde, so wenig wurde an einem „gemeinsamen“ Projekt gearbeitet. Im Gegenteil ist jede/jeder Teilnehmende aufgefordert ihre/seine neue Arbeit nicht nur eigenständig zu entwickeln, sondern sie auch nicht mit den MitstudentInnen abzusprechen. „Kunst machen“ bedeutet Entscheidungen zu fällen, ohne sich auf bewährte Erfahrungswerte berufen zu können. Je weniger Vorgaben desto mehr Entscheidungen.
Zur Ausstellung entsteht ein kleiner Katalog, der das Prinzip der Ausstellung im anderen Medium fortsetzen wird.
Öffnungszeiten im Kunstverein Wilhelmshöhe Ettlingen sind: Mi-Sa 15-18 Uhr, So 11-18 Uhr.
Kunstverein Wilhelmshöhe Ettlingen e. V.
Schöllbronner Str. 86
+49-(0)7243-13874
info@kunstverein-ettlingen.de
www.kunstverein-ettlingen.de
Klasse Christa Näher: "SCHLITTSCHUHLAUFEN AUF CANAL GRANDE"
Eröffnung: Samstag, 31. Mai, ab 15 Uhr, Leonhardi Kulturprojekte, Groß-Karben
Ausstellung: 1. Juni - 13. Juli 2008
Klasse Christa Näher: Carolin Bühler, Murray Gaylard, Elisabeth Hatscher, Britta Kamptner, Xue Liu, Silja Nordhoff, Sarah Schoderer, Rene Schohe, Jessica Sehrt, Cristina Szilly
"Venedig, sagt man, habe die Form eines Fisches. Und wie ein Meerestier bewegt es sich auch in der Lagune, sinkt unter die Wasseroberfläche, aber taucht zum Luftholen wieder auf, neugierig und gespannt betrachtet es die Touristen, die, bewaffnet mit Masken und Fotokameras, durch die Stadt vorrücken, immer bereit, sich wie ein Einsiedlerkrebs in sein Haus zurückzuziehen." (Paola Cantu, 2008:1)
Klischees versperren den Blick auf Venedig. Etwas Wahres an Venedig zu entdecken, ist kaum möglich. Dass Venedig zudem eine Allegorie ist, erschwert die Annäherung, denn auf Venedig trifft Schlegels Aussage, "alle Schönheit ist Allegorie", noch zu. Durch die Schönheit bezog sich die Allegorie in der Romantik auf das Unaussprechliche, als sich die ästhetische Autonomie noch in der Einheit von Bild und Sinn rechtfertigte, die sie in der Allegorie zu deuten versuchte. Die Klasse Näher, die zusammen im Dezember 2007 nach Venedig gereist ist, widmet sich mit dieser Ausstellung dieser unvergleichlichen Stadt.
Ein Katalog zur Ausstellung ist in Vorbereitung.
Öffnungszeiten der Ausstellung: Mittwoch, Samstag und Sonntag 14 - 18 Uhr und nach Vereinbarung, info@leonhardikulturprojekte.org (+49-176-62006867)
Leonhardi Kulturprojekte
Burghof | Burggräfenröderstr. 2
61184 Karben
info@leonhardikulturprojekte.org
http://www.leonhardikulturprojekte.org
Filmvorführung:
"I AM A MAN"
Offizieller Film der Parade von Arto Lindsay und Studierenden der Städelschule
Ein Film von Mario Pfeifer
Samstag, 31. Mai, 20:30 Uhr, Städelschule Garten
Filmvorführung gegen 22:00 Uhr, Dauer 26. Min
Für Getränke ist gesorgt.
Anlässlich der zweijährlich stattfindenden Frankfurter Positionen hat der Portikus und das MMK den in Rio de Janeiro lebenden Musiker und Künstler Arto Lindsay eingeladen, ein Projekt im öffentlichen Raum zu konzipieren. Gemeinsam mit Studierenden der Städelschule, dem italienischen Musiker und Künstler Nico Vascellari, dem brasilianischen Schlagzeuger Marivaldo Paim und dem in Paris lebenden Tänzer Richard Siegal veranstaltete er eine Parade, die mit großem Erfolg in Frankfurt am 19. April stattgefunden hat. Der Dokumentationsfilm dieser Kunstaktion feiert am kommenden Samstag seine Premiere und wird in Kürze auch käuflich bei den beteiligten Insitutionen erhältlich sein.
I AM A MAN war ein Projekt des MMK Frankfurt und des Portikus im Rahmen der Frankfurter Positionen 2008, einer Initiative der BHF-BANK-STIFTUNG
www.frankfurterpositionen.de
RICHARD SENNETT / SCHNEIDER+SCHUMACHER
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Talk:
Art and Craft.
Panel with Richard Sennett, Johan Bettum and Thomas Bayrle
Tuesday, 27th May, 19 h, Liebieghaus
Lecture:
Richard Sennett: Obsession and Handcraft
Wednesday, 28th May, 19h, Liebieghaus
Richard Sennett’s book „The Craftsman“ was published in January 2008 and has been discussed intensively in the newspapers. When Sennett talks about handcraft or craftsmanship, he isn’t talking about technical practice. He is describing a fundamental human impulse, namely the attempt to go for something for its own sake in the best manner possible. Sennett sheds light on the extreig of philosopher Ludwig Wittgenstein to design and construct his sister’s house on Kundmanngasse in Vienna.
Sociologist Richard Sennett, born in 1943, is one of the most popular theorists and critics of capitalism. He teaches at the London School of Economics and New York University.
A cooperation with
Liebieghaus Skulpturensammlung
Schaumainkai 71
60596 Frankfurt
the Architecture Class presents:
Art & Architecture - Public Lecture Series Summer Semester 2008
schneider+schumacher: work in projects
Thursday, 29 May, 19h, Aula, Städelschule
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Städelschule alumni, Till Schneider and Michael Schumacher of the Frankfurt-based office, schneider+schumacher, present their work in an an evening lecture on May 29th. Since being founded in 1988, the office of Schneider and Schumacher has emerged as one of the most significant young practices in Germany with numerous realized projects throughout the country. With their recent winning proposal for the extension to the Städel Museum, the office has presented a project of international repute.
Till Schneider and Michael Schumacher studied with Sir Peter Cook in the Städelschule Architecture Class. Till Schneider taught at the Technical University in Darmstadt; Michael Schumacher was a guest professor in the Architecture Class 1999-2000 and is currently a professor at the University of Hannover.
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
Talk:
Art and Craft.
Panel with Richard Sennett, Johan Bettum and Thomas Bayrle
Tuesday, 27th May, 19 h, Liebieghaus
Lecture:
Richard Sennett: Obsession and Handcraft
Wednesday, 28th May, 19h, Liebieghaus
Richard Sennett’s book „The Craftsman“ was published in January 2008 and has been discussed intensively in the newspapers. When Sennett talks about handcraft or craftsmanship, he isn’t talking about technical practice. He is describing a fundamental human impulse, namely the attempt to go for something for its own sake in the best manner possible. Sennett sheds light on the extreig of philosopher Ludwig Wittgenstein to design and construct his sister’s house on Kundmanngasse in Vienna.
Sociologist Richard Sennett, born in 1943, is one of the most popular theorists and critics of capitalism. He teaches at the London School of Economics and New York University.
A cooperation with
Liebieghaus Skulpturensammlung
Schaumainkai 71
60596 Frankfurt
the Architecture Class presents:
Art & Architecture - Public Lecture Series Summer Semester 2008
schneider+schumacher: work in projects
Thursday, 29 May, 19h, Aula, Städelschule
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Städelschule alumni, Till Schneider and Michael Schumacher of the Frankfurt-based office, schneider+schumacher, present their work in an an evening lecture on May 29th. Since being founded in 1988, the office of Schneider and Schumacher has emerged as one of the most significant young practices in Germany with numerous realized projects throughout the country. With their recent winning proposal for the extension to the Städel Museum, the office has presented a project of international repute.
Till Schneider and Michael Schumacher studied with Sir Peter Cook in the Städelschule Architecture Class. Till Schneider taught at the Technical University in Darmstadt; Michael Schumacher was a guest professor in the Architecture Class 1999-2000 and is currently a professor at the University of Hannover.
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
NIKOLAUS HIRSCH
Herzliche Einladung zu den Veranstaltungen der Städelschule!
the Architecture Class presents:
Art & Architecture - Public Lecture Series Summer Semester 2008
Nikolaus Hirsch: 'On Boundaries'
Thursday 22 May, 19 h, Architecture Building, Dürerstr. 24
Spend the Corpus Christi holiday (Fronleichnam) evening in Städelschule and hear Nikolaus Hirsch on the critical relationship between art and architecture.
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Nikolaus Hirsch belongs to Germany's younger generation of architects who have won international critical acclaim. Hirsch's work, writing and teaching explore the boundaries of contemporary architecture first and foremost in a social, political and cultural context. This engagement with architecture has frequently led him to the borders of his own discipline in specific collaborations with visual and performative artists, resulting in projects such as Bockenheimer Depot Theater (with choreographer William Forsythe), Autobahn Tower (with Thomas Bayrle), Node House (with Raqs Media Collective), and Unitednationsplaza (with Anton Vidokle).
His most renowned buildings are the acclaimed Dresden Synagogue (2001) and the Hinzert Document Center (2006), for which he received the German Architectural Museum's 2007-prize for Best German Architecture. Current work include the European Kunsthalle, Unitednationsplaza and a cultural laboratory in Delhi.
Hirsch has held academic positions at German universities such as the Institute for Applied Theater Studies in Giessen and, while based in Frankfurt, he has also taught at a number of renowned schools worldwide, including the AA in London and University of Pennsylvania in America. He has curated "ErsatzStadt: Representations of the Urban" at Volksbühne Berlin (2006) and is a member of the "Curating Architecture" program at Goldsmiths College in London.
In 2007, Hirsch published his book, 'On Boundaries', with Lukas & Sternberg. His Fronleichnam lecture extrapolates from this book. In the lecture he will continue the inquiry in relation to the boundaries of architecture - boundary " as a conflict between collaboration and authorship, as well as a physical limitation that negotiates between stable and unstable conditions."
Nikolaus Hirsch has won numerous awards, including the BDA-Prize Berlin 1998, the Art Prize of 1822-Foundation, German Critics Award 2001, World Architecture Award 2002, and the German Architectural Museum's prize for best German building in 2007. His work has been featured in exhibitions, such as “Neue Welt” (Frankfurter Kunstverein, 2001), “New German Architecture” (Martin-Gropius-Bau Berlin, Milano, 2003), “Utopia Station“ at the Venice Biennal 2003, “Can Buildings Curate” (Architectural Association London / Storefront Gallery, New York, 2005), Thomas Bayrle´s "40 Years Chinese Rock 'n Roll " (MMK Frankfurt, 2006) and the Biennale Sao Paulo, 2007.
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
the Architecture Class presents:
Art & Architecture - Public Lecture Series Summer Semester 2008
Nikolaus Hirsch: 'On Boundaries'
Thursday 22 May, 19 h, Architecture Building, Dürerstr. 24
Spend the Corpus Christi holiday (Fronleichnam) evening in Städelschule and hear Nikolaus Hirsch on the critical relationship between art and architecture.
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Nikolaus Hirsch belongs to Germany's younger generation of architects who have won international critical acclaim. Hirsch's work, writing and teaching explore the boundaries of contemporary architecture first and foremost in a social, political and cultural context. This engagement with architecture has frequently led him to the borders of his own discipline in specific collaborations with visual and performative artists, resulting in projects such as Bockenheimer Depot Theater (with choreographer William Forsythe), Autobahn Tower (with Thomas Bayrle), Node House (with Raqs Media Collective), and Unitednationsplaza (with Anton Vidokle).
His most renowned buildings are the acclaimed Dresden Synagogue (2001) and the Hinzert Document Center (2006), for which he received the German Architectural Museum's 2007-prize for Best German Architecture. Current work include the European Kunsthalle, Unitednationsplaza and a cultural laboratory in Delhi.
Hirsch has held academic positions at German universities such as the Institute for Applied Theater Studies in Giessen and, while based in Frankfurt, he has also taught at a number of renowned schools worldwide, including the AA in London and University of Pennsylvania in America. He has curated "ErsatzStadt: Representations of the Urban" at Volksbühne Berlin (2006) and is a member of the "Curating Architecture" program at Goldsmiths College in London.
In 2007, Hirsch published his book, 'On Boundaries', with Lukas & Sternberg. His Fronleichnam lecture extrapolates from this book. In the lecture he will continue the inquiry in relation to the boundaries of architecture - boundary " as a conflict between collaboration and authorship, as well as a physical limitation that negotiates between stable and unstable conditions."
Nikolaus Hirsch has won numerous awards, including the BDA-Prize Berlin 1998, the Art Prize of 1822-Foundation, German Critics Award 2001, World Architecture Award 2002, and the German Architectural Museum's prize for best German building in 2007. His work has been featured in exhibitions, such as “Neue Welt” (Frankfurter Kunstverein, 2001), “New German Architecture” (Martin-Gropius-Bau Berlin, Milano, 2003), “Utopia Station“ at the Venice Biennal 2003, “Can Buildings Curate” (Architectural Association London / Storefront Gallery, New York, 2005), Thomas Bayrle´s "40 Years Chinese Rock 'n Roll " (MMK Frankfurt, 2006) and the Biennale Sao Paulo, 2007.
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
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