Herzliche Einladung zu den Veranstaltungen der Städelschule!
the Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
Jürgen Mayer H: re:activators
Thursday, 6 November, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Jürgen Mayer H, one of Germany's leading, young architects, returns to Städelschule to lecture on his work that frequently touches on issues related to art and design at large.
Since establishing his office in 1995, Jürgen Mayer H has produced a wide range of objects and buildings, from interior panels, furniture and sculpture, to exhibition installations and large private and public buildings. In the work, Mayer H focuses on the intersection of architecture, communication and new technology. "From urban planning schemes and buildings to installation work and objects with new materials," Mayer H says, "the relationship between the human body, technology and nature form the background for a new production of space."
This focus has led to remarkable results, frequently praised by critics and cherished on the international architecture scene. Mayer H's Stadthaus Scharnhauser Park
und Marktplatz (1998-2002) is an extraordinary early design and won international interest and acclaim; models and drawings of the project have been collected by the Museum of Modern Art in New York. Recent projects include the Town Hall in Ostfildern, Germany, a student center at Karlsruhe University and the redevelopment of the Plaza de la Encarnacion in Sevilla, Spain.
Jürgen Mayer H. studied at Stuttgart University, The Cooper Union and at Princeton Universtiy. His work has been published and exhibited worldwide and is part of international collections like the MoMA New York and SF MoMA. Among the prizes and awards won are the Mies-van-der-Rohe-Award 2003 Emerging Architect and Winner Holcim Awards 2005 Bronze Europe for Metropol Parasol. Jürgen Mayer H. has taught at Princeton University, University of the Arts Berlin, Harvard University, Kunsthochschule Berlin, the Architectural Association in London and is currently teaching at Columbia University in New York.
Die Stiftung Städelschule für Baukunst lädt ein:
Öffentliche Vorträge und Ausstellung von Absolventen der Städelschule Architekturklasse
Samstag, 1. November 2008, 10 Uhr, Deutsches Architekturmuseum, Frankfurt am Main
Die Vorträge finden teils in Deutsch, teils in Englisch statt.
Es sprechen u.a. Prof. Luise King (Berlin), Sir Peter Cook (London), Prof. Johan Bettum (Frankfurt am Main)
Vortragende Absolventen sind: Max Dudler (Zürich), Tomas Saraceno (Frankfurt am Main), Asterios Agkathidis, a3lab (Thessaloniki), Christopher Kelly, Architecture Workshop (Wellington), Prof. Claudio Vekstein (Buenos Aires), Gabi Schillig (Berlin), Jürgen Riehm, 1100 Architect (New York City)
Im Anschluss wird die Ausstellung der Absolventen und gleichzeitig Projekte der heutigen Studierende der Architekturklasse werktags von 8.00 bis 18.00 Uhr vom 3. – 14. November 2008 in der Halle der Städelschule zu sehen sein.
Teilnahmegebühr für Nicht-Alumni 20€ / 35 € (ohne/ mit Teilnahmebescheinigung Fortbildungsveranstaltung).
Weitere Infos siehe: www.stiftung-baukunst.de
Donnerstag, 30. Oktober 2008
DAVID ADJAYE
Herzliche Einladung zu den Veranstaltungen der Städelschule!
the Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
David Adjaye: Art and Architecture
Thursday, 30 Oktober, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
David Adjaye´s work reflects the critical relationship between art and architecture in all its facets. The reciprocal configurations of this relationship range from a public museum (Denver Museum of Modern Art) to the intimacy of a collaborative production (such as the British Pavilion at the Venice Biennial with Chris Ofili an his collaboration with Olafur Eliasson for Your Black Horizon), from a temporary structure for an art fair (Frieze Art Fair) to artists studios and homes (among others for Jake Chapman, Chris Ofili, Tim Noble, Sue Webster), from private galleries (such as Contemporary Fine Arts in Berlin) to his own objects Monoform.
Dar-Es-Salaam-born and London-based architect David Adjaye is recognized as one of the leading architects of his generation. He has held academic positions at Harvard University, University of Pennsylvania in Philadelphia, Princeton University and the Architectural Association. His work has been shown in numerous exhibitions, including David Adjaye: Making Public Buildings (Whitechapel Gallery in London and Studio Museum in Harlem, New York), Manifesta 7 in Bolzano and African Cities (Harvard’s Graduate School of Design). His publications include Houses - Recycling, Reconfiguring, Rebuilding (2005) and Making Public Buildings (2006).
the Architecture Class presents:
The Pavilion: Interim Passage and Polemics in Art & Architecture - Public Lecture Series Winter Semester 2008-9
- a series of public lectures that address the pavilion as typology and idea in relation to architecture and the arts.
David Adjaye: Art and Architecture
Thursday, 30 Oktober, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
David Adjaye´s work reflects the critical relationship between art and architecture in all its facets. The reciprocal configurations of this relationship range from a public museum (Denver Museum of Modern Art) to the intimacy of a collaborative production (such as the British Pavilion at the Venice Biennial with Chris Ofili an his collaboration with Olafur Eliasson for Your Black Horizon), from a temporary structure for an art fair (Frieze Art Fair) to artists studios and homes (among others for Jake Chapman, Chris Ofili, Tim Noble, Sue Webster), from private galleries (such as Contemporary Fine Arts in Berlin) to his own objects Monoform.
Dar-Es-Salaam-born and London-based architect David Adjaye is recognized as one of the leading architects of his generation. He has held academic positions at Harvard University, University of Pennsylvania in Philadelphia, Princeton University and the Architectural Association. His work has been shown in numerous exhibitions, including David Adjaye: Making Public Buildings (Whitechapel Gallery in London and Studio Museum in Harlem, New York), Manifesta 7 in Bolzano and African Cities (Harvard’s Graduate School of Design). His publications include Houses - Recycling, Reconfiguring, Rebuilding (2005) and Making Public Buildings (2006).
Freitag, 17. Oktober 2008
ISABELLE GRAW: WHEN LIFE GOES TO WORK: ANDY WARHOL
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Vorlesung
Isabelle Graw:
When life goes to work: Andy Warhol
Dienstag, 21. Oktober, 19 Uhr, Aula
In dieser Vorlesung wird der Künstler Andy Warhol als Theoretiker und Praktiker der "Celebrity Kultur" vorgestellt, von der behauptet wird, dass sie die vielbeschworene Spektakelkultur ablöste. Es sind speziell Warhols Portraits, an denen sich dieser Umschlag des Starsystems in das Celebritywesen ablesen lässt. Doch so wie er auch seine eigenen Undergroundstars produzierte, setzte er dem biopolitischen Interesse am "Leben" sein Produkt entgegen. Man könnte sagen, dass in Warhols Factory das Leben zur Arbeit geht und, dass sich die Kunst hier einmal mehr als Lebenslieferant erweist. Auch im Hinblick auf Markterfordernisse zeichnet sich seine Praxis durch einen Doppelcharakter aus - sie wird als marktkonformistisch und zugleich marktresistent bezeichnet.
Vorlesung
Isabelle Graw:
When life goes to work: Andy Warhol
Dienstag, 21. Oktober, 19 Uhr, Aula
In dieser Vorlesung wird der Künstler Andy Warhol als Theoretiker und Praktiker der "Celebrity Kultur" vorgestellt, von der behauptet wird, dass sie die vielbeschworene Spektakelkultur ablöste. Es sind speziell Warhols Portraits, an denen sich dieser Umschlag des Starsystems in das Celebritywesen ablesen lässt. Doch so wie er auch seine eigenen Undergroundstars produzierte, setzte er dem biopolitischen Interesse am "Leben" sein Produkt entgegen. Man könnte sagen, dass in Warhols Factory das Leben zur Arbeit geht und, dass sich die Kunst hier einmal mehr als Lebenslieferant erweist. Auch im Hinblick auf Markterfordernisse zeichnet sich seine Praxis durch einen Doppelcharakter aus - sie wird als marktkonformistisch und zugleich marktresistent bezeichnet.
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