Herzliche Einladung zu den Veranstaltungen der Städelschule!
Luc Tuymans: „I don’t get it“
Sonntag, 3. Juni, 12.00 Uhr: „Arbeit und Praxis“
Montag, 4. Juni, 19.00 Uhr: „Kunstkritik und Institution“
Dienstag, 5. Juni, 19.00 Uhr: „Kunstmarkt und Event“
Städel Museum, Metzler-Saal
Vorträge in deutscher Sprache
Luc Tuymans hat der figurativen Malerei in den letzten Jahren entscheidende Impulse verliehen. In seinen Bildern setzt er sich mit historischen, politischen und religiösen Themen auseinander. Auftritte bei der Biennale in Venedig 2001, der Documenta IX und XI so wie Werkschauen in London und Düsseldorf trugen zur großen Öffentlichkeit bei. In einem kritischen Gespräch möchte Luc Tuymans über die Erfahrungen berichten. Durchaus skeptisch will er die Rolle der Kunstkritik beleuchten, Kultursubventionen und Ausstellungspolitik und die Einflussnahme der Kuratoren aus seinem Blickwinkel darstellen.
Der Maler Luc Tuymans (*1958 Mortsel, Belgien) wird in diesem Jahr zum Stiftungsprofessor des Städel Museums und der Städelschule berufen und tritt damit die Nachfolge des südafrikanischen Künstlers William Kentridge an, an den die Professur erstmals vergeben wurde. Die Stiftung des Städelschen Kunstinstituts ist durch den Stiftungsbrief des Gründers Johann Friedrich Städel von 1815 der Idee verpflichtet, eine öffentlich zugängliche Kunstsammlung mit einer Ausbildungsstätte für junge Künstler zu verbinden. Die 2005 ins Leben gerufene Max Beckmann-Stiftungsprofessur soll diese ursprüngliche Gemeinsamkeit von Sammlung und Lehre, die im Laufe der Zeit durch die Trennung von Museum und Schule in den Hintergrund gerückt ist, neu beleben und neue Synergien zwischen den beiden Institutionen schaffen.
Die Max Beckmann-Stiftungsprofessur wird durch die Unterstützung der ALTANA AG ermöglicht.
Dienstag, 29. Mai 2007
Donnerstag, 24. Mai 2007
MAYO THOMPSON / THOMAS HIRSCHHORN / MAX HOLLEIN
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Mayo Thompson
Tuesday, 29 May, 19 h, Aula
Die Veranstaltung findet in englischer Sprache statt.
if you know this guy, be there, if you don't know this guy, be there (MK)
Thomas Hirschhorn
Wednesday, 30 May, 19 h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Thomas Hirschhorn plugs himself into the communicative potential of thought discontent with the enforced definitions and limitations of a hyper- capitalist, multinational rhetoric of globalization. Neglecting material worth, his work encompasses diverse sculptural models in an impoverished taste for the product wrappings of consumer industry – aluminum foil, plastic, cardboard and plywood – suspending capitalist desires in a state of constant creative anarchy. In Portikus he exhibited "Ein Kunstwerk, ein Problem" in 1998. With this work, Hirschhorn wanted to give new topicality to a phrase by Robert Walser: "Questions of life are questions of art, and questions of art are questions of life". At the moment his work can be seen in the solo exhibition Stand-alone in Berlin, and Swiss made in Wolfsburg.
the Architecture Class presents:
The New Museum?
a series of lectures and events addressing the contemporary status of the museum as a cultural institution and architectural type.
In the Summer Semester 2007, The Architecture Class invites to a series of lectures and events focusing on the role of the contemporary museum in our culture. The lectures and events accompany ongoing work in the Architectural Class for a series of museum proposals for the Rhein-Main region in Germany.
Max Hollein, Director Städel Museum / Schirn Kunsthalle / Liebieghaus: The Expanding Museum
Thursday, 31 May, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Nowadays designing a museum requires the realization that all, mission, structure, audience and environment of this cultural institution have dramatically changed over the last decades. The museum is not only catering to a multitude of interest groups that are completely diverse in their expectations but it is also an institution on an educational mission that goes way beyond its own four walls. Only with an idea of the status quo as well as the direction towards which museums are navigating one can properly tackle the task of developing an adequate solution for the architectural design of this institution.
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
Mayo Thompson
Tuesday, 29 May, 19 h, Aula
Die Veranstaltung findet in englischer Sprache statt.
if you know this guy, be there, if you don't know this guy, be there (MK)
Thomas Hirschhorn
Wednesday, 30 May, 19 h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Thomas Hirschhorn plugs himself into the communicative potential of thought discontent with the enforced definitions and limitations of a hyper- capitalist, multinational rhetoric of globalization. Neglecting material worth, his work encompasses diverse sculptural models in an impoverished taste for the product wrappings of consumer industry – aluminum foil, plastic, cardboard and plywood – suspending capitalist desires in a state of constant creative anarchy. In Portikus he exhibited "Ein Kunstwerk, ein Problem" in 1998. With this work, Hirschhorn wanted to give new topicality to a phrase by Robert Walser: "Questions of life are questions of art, and questions of art are questions of life". At the moment his work can be seen in the solo exhibition Stand-alone in Berlin, and Swiss made in Wolfsburg.
the Architecture Class presents:
The New Museum?
a series of lectures and events addressing the contemporary status of the museum as a cultural institution and architectural type.
In the Summer Semester 2007, The Architecture Class invites to a series of lectures and events focusing on the role of the contemporary museum in our culture. The lectures and events accompany ongoing work in the Architectural Class for a series of museum proposals for the Rhein-Main region in Germany.
Max Hollein, Director Städel Museum / Schirn Kunsthalle / Liebieghaus: The Expanding Museum
Thursday, 31 May, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
Nowadays designing a museum requires the realization that all, mission, structure, audience and environment of this cultural institution have dramatically changed over the last decades. The museum is not only catering to a multitude of interest groups that are completely diverse in their expectations but it is also an institution on an educational mission that goes way beyond its own four walls. Only with an idea of the status quo as well as the direction towards which museums are navigating one can properly tackle the task of developing an adequate solution for the architectural design of this institution.
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
Freitag, 18. Mai 2007
BONNIE CAMPLIN & PAULINA OLOWSKA / THE NEW MUSEUM?
Herzliche Einladung zu den Veranstaltungen der Städelschule!
!!!
Die Veranstaltung mit Thomas Hirschhorn musste auf Mittwoch, den 30 Mai verschoben werden.
The lecture by Thomas Hirschhorn had to be postponed to Wednesday, 30 May.
!!!
Bonnie Camplin & Paulina Olowska
Wednesday, 23 May, 19 h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Although Camplin and Olowska work in different mediums and come from different cultural backgrounds, they both continually drawn attention to neglected female protagonists in their drawings, paintings, collages, performances, installations and videos. What is less noted, however, is that their attention to the fantasy of the modern woman reworks as many tenets of feminist critique as it upholds. The presentation will focus on individual selected works of each artist.
Paulina Olowska will discuss projects such as Sie musste die Idee eines Hauses als Metapher verwerfen (She had to reject the idea of a house as a metaphor, 2004) were she produced a series of portraits of formidable figures like Virginia Woolf, Vanessa Bell, Charlotte Perriand and Nina Hamnett, and Hello to you too 2006, a show devoted to the figure of a British pop artist Pauline Boty. Bonnie Camplin will present Colonial Fanny and Get me a Mirror- her recent videos.
There will also screen A like Akarova a new collaborative film that will be premiered In Brussels, and discuss there upcoming joint project in Porticus Salty Water and what of Salty Water which opens on Friday, 25 May 2007.
the Architecture Class and Städelschule Fine Arts presents:
SYMPOSIUM:
THE NEW ‘MUSEUM’?
Thursday, 24 May, 17 h, Hall
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
With the steadily increasing pressure of information flow and capital, the status and role of the contemporary museum within the arts as well as other fields are continuously challenged. In the arts, fairs are emerging as ubiquitous events to inject market interest and social flair. The Guggenheim and the Louvre have become export items. Museums at large are prompted to devise new, specific strategies for the dissemination to and entertainment of visitors via the Internet.
Does the museum as an institution, as it emerged over the last couple of centuries, still hold relevance, or should the arts and other fields look elsewhere to formulate a vital form to present previous periods’ collectibles and tomorrow’s cultural gems? And for this ‘elsewhere,’ is the emerging and ever more popular art fair a good model, its current architectural typology as inspiring as your average sitcom?
These and other questions are what will be addressed in the symposium, The New ‘Museum’?, which the Städelschule hosts in order to address one of the more difficult and interesting set of questions that our culture is facing.
Lecturers are:
Emily King, Frieze Magazine
Ben van Berkel, UNStudio / Städelschule
Nicolas V. Iljine, Solomon R. Guggenheim Foundation
HG Merz, architect
Volker Rattemeyer, Director Museum Wiesbaden
Peter Cachola Schmal, Director German Architecture Museum DAM
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
!!!
Die Veranstaltung mit Thomas Hirschhorn musste auf Mittwoch, den 30 Mai verschoben werden.
The lecture by Thomas Hirschhorn had to be postponed to Wednesday, 30 May.
!!!
Bonnie Camplin & Paulina Olowska
Wednesday, 23 May, 19 h, Aula
Die Veranstaltung findet in englischer Sprache statt.
Although Camplin and Olowska work in different mediums and come from different cultural backgrounds, they both continually drawn attention to neglected female protagonists in their drawings, paintings, collages, performances, installations and videos. What is less noted, however, is that their attention to the fantasy of the modern woman reworks as many tenets of feminist critique as it upholds. The presentation will focus on individual selected works of each artist.
Paulina Olowska will discuss projects such as Sie musste die Idee eines Hauses als Metapher verwerfen (She had to reject the idea of a house as a metaphor, 2004) were she produced a series of portraits of formidable figures like Virginia Woolf, Vanessa Bell, Charlotte Perriand and Nina Hamnett, and Hello to you too 2006, a show devoted to the figure of a British pop artist Pauline Boty. Bonnie Camplin will present Colonial Fanny and Get me a Mirror- her recent videos.
There will also screen A like Akarova a new collaborative film that will be premiered In Brussels, and discuss there upcoming joint project in Porticus Salty Water and what of Salty Water which opens on Friday, 25 May 2007.
the Architecture Class and Städelschule Fine Arts presents:
SYMPOSIUM:
THE NEW ‘MUSEUM’?
Thursday, 24 May, 17 h, Hall
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
With the steadily increasing pressure of information flow and capital, the status and role of the contemporary museum within the arts as well as other fields are continuously challenged. In the arts, fairs are emerging as ubiquitous events to inject market interest and social flair. The Guggenheim and the Louvre have become export items. Museums at large are prompted to devise new, specific strategies for the dissemination to and entertainment of visitors via the Internet.
Does the museum as an institution, as it emerged over the last couple of centuries, still hold relevance, or should the arts and other fields look elsewhere to formulate a vital form to present previous periods’ collectibles and tomorrow’s cultural gems? And for this ‘elsewhere,’ is the emerging and ever more popular art fair a good model, its current architectural typology as inspiring as your average sitcom?
These and other questions are what will be addressed in the symposium, The New ‘Museum’?, which the Städelschule hosts in order to address one of the more difficult and interesting set of questions that our culture is facing.
Lecturers are:
Emily King, Frieze Magazine
Ben van Berkel, UNStudio / Städelschule
Nicolas V. Iljine, Solomon R. Guggenheim Foundation
HG Merz, architect
Volker Rattemeyer, Director Museum Wiesbaden
Peter Cachola Schmal, Director German Architecture Museum DAM
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
Freitag, 11. Mai 2007
DR. NEIL MULHOLLAND
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Dr. Neil Mulholland: 'Parallel Lines'
Wednesday, 16 May, 19 h Aula
Die Veranstaltung findet in englischer Sprache statt.
David Carrier's term 'artwriting' has re-entered Anglophone art criticism in recent years in a way that signals a conservative backlash against his observations. 'Artwriting' is often, inexplicably, used in the derogatory sense, as a means of registering the chagrin of many critics who perceive a 'crisis' in what they regard to be their 'discipline'. Rather than address this alleged crisis on these exhausted terms, I plan to discuss aspects of my own writing and related works as practices that aspire to transgress genres such as 'criticism', 'theory', 'curating' and art practice. I will examine the concept of the 'parallel text' and suggest how art-related writing might go beyond its normative tropes of advocacy, representation and critique by revisiting theories of mise en scene and metafiction.
Dr Neil Mulholland is a writer and Director of the Centre for Visual & Cultural Studies, Edinburgh College of Art.
Dr. Neil Mulholland: 'Parallel Lines'
Wednesday, 16 May, 19 h Aula
Die Veranstaltung findet in englischer Sprache statt.
David Carrier's term 'artwriting' has re-entered Anglophone art criticism in recent years in a way that signals a conservative backlash against his observations. 'Artwriting' is often, inexplicably, used in the derogatory sense, as a means of registering the chagrin of many critics who perceive a 'crisis' in what they regard to be their 'discipline'. Rather than address this alleged crisis on these exhausted terms, I plan to discuss aspects of my own writing and related works as practices that aspire to transgress genres such as 'criticism', 'theory', 'curating' and art practice. I will examine the concept of the 'parallel text' and suggest how art-related writing might go beyond its normative tropes of advocacy, representation and critique by revisiting theories of mise en scene and metafiction.
Dr Neil Mulholland is a writer and Director of the Centre for Visual & Cultural Studies, Edinburgh College of Art.
Dienstag, 8. Mai 2007
PETER CACHOLA SCHMAL / STUPIDITY
Herzliche Einladung zu den Veranstaltungen der Städelschule!
the Architecture Class presents:
The New Museum?
a series of lectures and events addressing the contemporary status of the museum as a cultural institution and architectural type.
Peter Cachola Schmal, Director Deutsches Architekturmuseum: What Good Are Architecture Museum For?
Thursday, 10 May, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
In the Summer Semester 2007, The Architecture Class invites to a series of lectures and events focusing on the role of the contemporary museum in our culture. The lectures and events accompany ongoing work in the Architectural Class for a series of museum proposals for the Rhein-Main region in Germany.
With the steadily increasing pressure of information flow and capital, the status and role of the contemporary museum within the arts as well as other fields are continuously challenged. In the arts, fairs - whose current architectural typology is as inspiring as your average sitcom - are emerging as ubiquitous events that inject market interest and social flair into the field. The Guggenheim and the Louvre have become export items. Museums at large are prompted to devise new, specific strategies for the dissemination to and entertainment of visitors via the Internet. With these changes, is the museum as an institution for archival purposes and the mere reification of existing culture passé?
What role and whose interests will the museum of tomorrow serve? Does the very institution of the museum, as it emerged over the last couple of centuries, still hold relevance, or should the arts and other fields look elsewhere to formulate a vital form to present previous periods’ collectibles and tomorrow’s cultural gems?
The architecture of the museum is part of this condition. In form and organisation, does the architecture of the museum also need to renewal?
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
Stupidity
!!!
Die kleine Vortragsreihe am kommenden Samstag zur Portikusausstellung "Türen" von Judith Hopf und Henrik Olesen muss leider entfallen.
Sie wird jedoch im Wintersemester, dann auch zusammen mit dem Erscheinen des Katalogs, nachgeholt.
!!!
the Architecture Class presents:
The New Museum?
a series of lectures and events addressing the contemporary status of the museum as a cultural institution and architectural type.
Peter Cachola Schmal, Director Deutsches Architekturmuseum: What Good Are Architecture Museum For?
Thursday, 10 May, 19h, Aula
Alle Veranstaltungen der Architekturklasse finden in englischer Sprache statt.
In the Summer Semester 2007, The Architecture Class invites to a series of lectures and events focusing on the role of the contemporary museum in our culture. The lectures and events accompany ongoing work in the Architectural Class for a series of museum proposals for the Rhein-Main region in Germany.
With the steadily increasing pressure of information flow and capital, the status and role of the contemporary museum within the arts as well as other fields are continuously challenged. In the arts, fairs - whose current architectural typology is as inspiring as your average sitcom - are emerging as ubiquitous events that inject market interest and social flair into the field. The Guggenheim and the Louvre have become export items. Museums at large are prompted to devise new, specific strategies for the dissemination to and entertainment of visitors via the Internet. With these changes, is the museum as an institution for archival purposes and the mere reification of existing culture passé?
What role and whose interests will the museum of tomorrow serve? Does the very institution of the museum, as it emerged over the last couple of centuries, still hold relevance, or should the arts and other fields look elsewhere to formulate a vital form to present previous periods’ collectibles and tomorrow’s cultural gems?
The architecture of the museum is part of this condition. In form and organisation, does the architecture of the museum also need to renewal?
The Städelschule Architecture Class Lecture Series is supported by the Architekten- und Stadtplanerkammer Hessen.
Stupidity
!!!
Die kleine Vortragsreihe am kommenden Samstag zur Portikusausstellung "Türen" von Judith Hopf und Henrik Olesen muss leider entfallen.
Sie wird jedoch im Wintersemester, dann auch zusammen mit dem Erscheinen des Katalogs, nachgeholt.
!!!
Montag, 7. Mai 2007
CHRISTA NÄHER
Herzliche Einladung zu den Veranstaltungen der Städelschule!
Christa Näher: zu Pasolini
Mittwoch, 9. Mai, 19 Uhr, Aula
„Die neue Form der Macht ist die Herrschaft von Konsum und Verschleiß; diesem letzten Ruin, diesem Ruin aller Ruine“ P. P. Pasolini
Pier Paolo Pasolini (Autor, Filmemacher)
* 1922 in Bologna, + 1975 Ostia
Vater Berufsoffizier, die Mutter Volksschullehrerin. Die Ehe der Eltern ist unglücklich und bindet Pasolini schicksalhaft an seine Mutter. 1942 erscheint sein erster Gedichtband in friaulischen Dialekt, zwei Jahre später gründet er die Akademie der friaulischen Sprache. Sein Bruder, der mit Partisanen kämpft, wird von Titos Anhängern 1945 umgebracht. Pasolini betreibt eine Privatschule mit seiner Mutter und tritt 1947 in die Kommunistische Partei ein, aus der er zwei Jahre später schon wieder ausgeschlossen wird. 1961 beginnt sein filmisches Schaffen mit dem Film "Accatone", er bereist ausgiebig die Dritte Welt. 1963 gelingt ihm mit „La Ricotta“ ein Durchbruch, der aber lange Prozesse und schließlich ein Verurteilung P. s nach sich zieht. 1975 wird Pasolinis verstümmelte Leiche in der Nähe der italienischen Hafenstadt Ostia gefunden. Die wahren Umstände der Tat sind bis heute ungeklärt.
Der Zerstörung der Kultur des Einzelnen durch die Konsumgesellschaft gilt das Interesse des Vortrags.
Christa Näher: zu Pasolini
Mittwoch, 9. Mai, 19 Uhr, Aula
„Die neue Form der Macht ist die Herrschaft von Konsum und Verschleiß; diesem letzten Ruin, diesem Ruin aller Ruine“ P. P. Pasolini
Pier Paolo Pasolini (Autor, Filmemacher)
* 1922 in Bologna, + 1975 Ostia
Vater Berufsoffizier, die Mutter Volksschullehrerin. Die Ehe der Eltern ist unglücklich und bindet Pasolini schicksalhaft an seine Mutter. 1942 erscheint sein erster Gedichtband in friaulischen Dialekt, zwei Jahre später gründet er die Akademie der friaulischen Sprache. Sein Bruder, der mit Partisanen kämpft, wird von Titos Anhängern 1945 umgebracht. Pasolini betreibt eine Privatschule mit seiner Mutter und tritt 1947 in die Kommunistische Partei ein, aus der er zwei Jahre später schon wieder ausgeschlossen wird. 1961 beginnt sein filmisches Schaffen mit dem Film "Accatone", er bereist ausgiebig die Dritte Welt. 1963 gelingt ihm mit „La Ricotta“ ein Durchbruch, der aber lange Prozesse und schließlich ein Verurteilung P. s nach sich zieht. 1975 wird Pasolinis verstümmelte Leiche in der Nähe der italienischen Hafenstadt Ostia gefunden. Die wahren Umstände der Tat sind bis heute ungeklärt.
Der Zerstörung der Kultur des Einzelnen durch die Konsumgesellschaft gilt das Interesse des Vortrags.
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