Vortrag
Alessandro Nova: The Portrait in the Art Theory of the 16th century
Mittwoch, 1. Juli 2015, 19 Uhr, Aula
Born 1954 in Milan, Alessandro Nova studied “Lettere e Filosofia” at the Università degli Studi di Milano and Art History at the Courtauld Institute of Art in London. In 1982, he earned his PhD at the Courtauld Institute of Art in London. His research was financed in 1986-1987 by the J. Paul Getty Postdoctoral Fellowship, and in 1992-94 by the Institute for Advanced Study in Princeton. From 1988 to 1994 he was an Assistant Professor at Stanford University (California, USA). In the summer semester he held the position of a C4-Professor at the Humboldt University in Berlin. In 1994, he was appointed professor of Art History of the Renaissance at the Goethe-Universität in Frankfurt am Main. In the Wintersemester of 2001-2002 he was a Guest Lecturer at the École des Hautes Études en Sciences Sociales – CEHTA (Centre d’histoire et théorie des arts) in Paris. From 2006 to 2007 he served as the managing director of the research center on the Early Modern Period at Frankfurt University (Zentrum zur Erforschung der Frühen Neuzeit, Renaissance Institut). In July 2006, he was appointed Honorary Professor of the Goethe-Universität in Frankfurt am Main. In 2010 he was a visiting Researcher at the Humboldt-University of Berlin in the research project “Bildakt und Verkörperung”. Since October 2006, Alessandro Nova has served as Director of the Kunsthistorisches Institut in Florenz – Max-Planck-Institut.
Der Vortrag findet in englischer Sprache statt.
Freitag, 26. Juni 2015
Mittwoch, 24. Juni 2015
Peter Kubelka: Essbare und nichtessbare Mitteilungen.
Vortrag
Peter Kubelka: Essbare und nichtessbare Mitteilungen
Dienstag, 30. Juni 2015, 19 Uhr, Lichthalle
Peter Kubelka ist Künstler und Theoretiker. Von 1978 bis 2000 unterrichtete er an der Städelschule. 1980 änderte er mit Zustimmung des Rektors, des Rates und der Studierenden den Namen und die Ausrichtung seiner Filmklasse. Mit "Film und Kochen als Kunstgattung" wurde die Städelschule weltweit die erste Kunsthochschule, die die Disziplin "Kochen" als gleichwertig mit Malerei, Bildhauerei, Graphik und Film anerkannte und in das offizielle Curriculum aufnahm.
In der Halle der Städelschule möchte Peter Kubelka mit einem Vortrag, der auch essbare Beispiele bringt, die Bedeutung der Speisenbereitung als Ursprung aller mitteilenden Medien würdigen. Die Speisen werden von der Städelschule Filmküche unter der Leitung von Felix Bröcker zubereitet.
Seit den 1950er Jahren ist Peter Kubelka eine herausragende Figur der internationalen Filmavantgarde. Seine metrischen Filme waren Vorläufer der internationalen Bewegung des strukturellen Fims. Seine metaphorischen Filme definieren eine ausschliesslich filminherente Sprache, die zwischen den Grundelementen Ton und Bild artikuliert. Kubelka ist auch bekannt als nichtschreibender Theoretiker, der in seine Vorträge nichtverbale Elemente wie Mimik, Musik, Speisen, darstellende Objekte und Werkzeuge integriert.
Kubelka wurde im Jahr 1934 in Wien geboren. Seine Jugend verbrachte er auf dem Land in Taufkirchen (Oberösterreich). 1944-47 Wiener Sängerknaben. 1947-52 Gymnasium Linz und Wels. Beginn des Studiums aller romanischen Sprachen. Intensive Beschäftigung mit Literatur. Beginn der Loslösung aus religiöser Prägung. Ab 1949 Leichtathletik als Leistungssport. 1952-1967 Judo. 1953 Österreichischer Juniorenmeister im Diskuswerfen. 1956 Film: Mosaik im Vertrauen zur Biennale Venedig eingeladen, aber nicht von Österreich nominiert; läuft für Vietnam. 1958 Sommerakademie Alpbach, erste wirkliche Filmausstellung: "Adebar" auf einer Almwiese als dreidimensionale Skulptur auf Heuschoberpfosten aufgehängt. 1958 Weltausstellung Brüssel, begegnet amerikanischen Filmmacher (Brakhage, Breer, Anger). 1961 Unsere Afrikareise. 1962 Zerstörung aller Filmpartituren. 1964 Gründung des Österreichischen Filmmuseums. 1966 erste Amerikareise. Bis 1978 Aufenthalt hauptsächlich in den USA. Lectures an über 50 Universitäten. 1967 im Vorstand der Film Makers’ Coop, NY. Beginn der Entspezialisierung (autodidaktisches Neustudium aller Disziplinen und Kunstgattungen). 1967-1968: Arbeit an der Film Library der UNO. 1968 „Cooking Concert“ in NY. 1970 Mitbegründer der Anthology Film Archives; Design und Realisierung des ersten Invisible Cinemas. 1973 Restaurierung von Dziga Vertovs Entuziazm. 1980 Gründung von Spatium Musicum. 1976 Erstellung der Avantgardefilmsammlung für das Centre Pompidou. 1978 Professur an der der Städelschule, Frankfurt. Erstmalige Einführung der Speisenbereitung in das Curriculum einer Hochschule. Klasse für Film und Kochen als Kunstgattung.1989 Unsichtbares Kino in Wien. 1996 Zyklisches Programm: Was ist Film? 64 rotierende Programme für das Unsichtbares Kino im Filmmuseum: Das Wesen des Films in Beispielen. 2012 ANTIPHON, ein Gegenstück zu "Arnulf Rainer" und teil des Werkes MONUMENT FILM. (Peter Tscherkassky)
Kubelkas Filme:
MOSAIK IM VERTRAUEN, 1955
ADEBAR, 1957
SCHWECHATER, 1958
ARNULF RAINER, 1960
UNSERE AFRIKAREISE, 1966
PAUSE!, 1977
DICHTUNG UND WAHRHEIT, 2002
ANTIPHON, 2012
MONUMENT FILM, 2012
Die Veranstaltung wird mit freundlicher Unterstützung des Städelschule Portikus e.V. ermöglicht.
Der Vortrag findet in deutscher Sprache statt.
Peter Kubelka: Essbare und nichtessbare Mitteilungen
Dienstag, 30. Juni 2015, 19 Uhr, Lichthalle
Peter Kubelka ist Künstler und Theoretiker. Von 1978 bis 2000 unterrichtete er an der Städelschule. 1980 änderte er mit Zustimmung des Rektors, des Rates und der Studierenden den Namen und die Ausrichtung seiner Filmklasse. Mit "Film und Kochen als Kunstgattung" wurde die Städelschule weltweit die erste Kunsthochschule, die die Disziplin "Kochen" als gleichwertig mit Malerei, Bildhauerei, Graphik und Film anerkannte und in das offizielle Curriculum aufnahm.
In der Halle der Städelschule möchte Peter Kubelka mit einem Vortrag, der auch essbare Beispiele bringt, die Bedeutung der Speisenbereitung als Ursprung aller mitteilenden Medien würdigen. Die Speisen werden von der Städelschule Filmküche unter der Leitung von Felix Bröcker zubereitet.
Seit den 1950er Jahren ist Peter Kubelka eine herausragende Figur der internationalen Filmavantgarde. Seine metrischen Filme waren Vorläufer der internationalen Bewegung des strukturellen Fims. Seine metaphorischen Filme definieren eine ausschliesslich filminherente Sprache, die zwischen den Grundelementen Ton und Bild artikuliert. Kubelka ist auch bekannt als nichtschreibender Theoretiker, der in seine Vorträge nichtverbale Elemente wie Mimik, Musik, Speisen, darstellende Objekte und Werkzeuge integriert.
Kubelka wurde im Jahr 1934 in Wien geboren. Seine Jugend verbrachte er auf dem Land in Taufkirchen (Oberösterreich). 1944-47 Wiener Sängerknaben. 1947-52 Gymnasium Linz und Wels. Beginn des Studiums aller romanischen Sprachen. Intensive Beschäftigung mit Literatur. Beginn der Loslösung aus religiöser Prägung. Ab 1949 Leichtathletik als Leistungssport. 1952-1967 Judo. 1953 Österreichischer Juniorenmeister im Diskuswerfen. 1956 Film: Mosaik im Vertrauen zur Biennale Venedig eingeladen, aber nicht von Österreich nominiert; läuft für Vietnam. 1958 Sommerakademie Alpbach, erste wirkliche Filmausstellung: "Adebar" auf einer Almwiese als dreidimensionale Skulptur auf Heuschoberpfosten aufgehängt. 1958 Weltausstellung Brüssel, begegnet amerikanischen Filmmacher (Brakhage, Breer, Anger). 1961 Unsere Afrikareise. 1962 Zerstörung aller Filmpartituren. 1964 Gründung des Österreichischen Filmmuseums. 1966 erste Amerikareise. Bis 1978 Aufenthalt hauptsächlich in den USA. Lectures an über 50 Universitäten. 1967 im Vorstand der Film Makers’ Coop, NY. Beginn der Entspezialisierung (autodidaktisches Neustudium aller Disziplinen und Kunstgattungen). 1967-1968: Arbeit an der Film Library der UNO. 1968 „Cooking Concert“ in NY. 1970 Mitbegründer der Anthology Film Archives; Design und Realisierung des ersten Invisible Cinemas. 1973 Restaurierung von Dziga Vertovs Entuziazm. 1980 Gründung von Spatium Musicum. 1976 Erstellung der Avantgardefilmsammlung für das Centre Pompidou. 1978 Professur an der der Städelschule, Frankfurt. Erstmalige Einführung der Speisenbereitung in das Curriculum einer Hochschule. Klasse für Film und Kochen als Kunstgattung.1989 Unsichtbares Kino in Wien. 1996 Zyklisches Programm: Was ist Film? 64 rotierende Programme für das Unsichtbares Kino im Filmmuseum: Das Wesen des Films in Beispielen. 2012 ANTIPHON, ein Gegenstück zu "Arnulf Rainer" und teil des Werkes MONUMENT FILM. (Peter Tscherkassky)
Kubelkas Filme:
MOSAIK IM VERTRAUEN, 1955
ADEBAR, 1957
SCHWECHATER, 1958
ARNULF RAINER, 1960
UNSERE AFRIKAREISE, 1966
PAUSE!, 1977
DICHTUNG UND WAHRHEIT, 2002
ANTIPHON, 2012
MONUMENT FILM, 2012
Die Veranstaltung wird mit freundlicher Unterstützung des Städelschule Portikus e.V. ermöglicht.
Der Vortrag findet in deutscher Sprache statt.
Benedetta Tagliabue
Vortrag Architecture Class
Dean’s Honorary Lecture: Benedetta Tagliabue
Montag, 29. Juni 2015, 19 Uhr Uhr, Deutsches Architekturmuseum
Benedetta Tagliabue is a world-renown architect and the director of the architectural practice Miralles Tagliabue EMBT with offices in Barcelona and Shanghai. Her husband, Enric Miralles, led the Städelschule Architecture Class from 1990 until his death in 2000.
Tagliabue founded the architectural firm Miralles Tagliabue EMBT in 1994 in collaboration with Enric Miralles. Among EMBT’s most notable projects are the Edinburgh Parliament, Diagonal Mar Park, the Santa Caterina market in Barcelona, Campus Universitario de Vigo, and the Spanish Pavilion at the 2010 Shanghai World Expo, which was awarded the prestigious prize, "Best International Building of 2011”, by RIBA.
Tagliabue has been a visiting professor at Harvard University, Columbia University and Barcelona ETSAB and lectures regularly at architecture forums and universities. In addition to frequent jury appointments, she recently joined the jury for the Pritzker Prize. In 2004 she received an honorary doctorate from the Faculty of Arts and Social Sciences, Edinburgh Napier University, Scotland. Her work received the RIBA Stirling Prize in 2005, the National Spanish Prize in 2006, the Catalan National Prize in 2002, City of Barcelona Prize in 2005 and 2009 as well as FAD prizes in 2000, 2003 and 2007. In 2013, Tagliabue received the 2013 RIBA Jencks Award, which is given annually to an individual or practice that has recently made a major contribution internationally to both the theory and practice of architecture.
In her lecture, Tagliabue will present the urban planning and regeneration processes currently being developed in her studio, such as for the metro station in Naples, The Grand Paris Metro Station in Clichy-Montfermeil and Public Spaces in Hafencity Hamburg. She will also address the work recently completed for the Expo Milano 2015.
Der Vortrag findet in englischer Sprache statt.
Dean’s Honorary Lecture: Benedetta Tagliabue
Montag, 29. Juni 2015, 19 Uhr Uhr, Deutsches Architekturmuseum
Benedetta Tagliabue is a world-renown architect and the director of the architectural practice Miralles Tagliabue EMBT with offices in Barcelona and Shanghai. Her husband, Enric Miralles, led the Städelschule Architecture Class from 1990 until his death in 2000.
Tagliabue founded the architectural firm Miralles Tagliabue EMBT in 1994 in collaboration with Enric Miralles. Among EMBT’s most notable projects are the Edinburgh Parliament, Diagonal Mar Park, the Santa Caterina market in Barcelona, Campus Universitario de Vigo, and the Spanish Pavilion at the 2010 Shanghai World Expo, which was awarded the prestigious prize, "Best International Building of 2011”, by RIBA.
Tagliabue has been a visiting professor at Harvard University, Columbia University and Barcelona ETSAB and lectures regularly at architecture forums and universities. In addition to frequent jury appointments, she recently joined the jury for the Pritzker Prize. In 2004 she received an honorary doctorate from the Faculty of Arts and Social Sciences, Edinburgh Napier University, Scotland. Her work received the RIBA Stirling Prize in 2005, the National Spanish Prize in 2006, the Catalan National Prize in 2002, City of Barcelona Prize in 2005 and 2009 as well as FAD prizes in 2000, 2003 and 2007. In 2013, Tagliabue received the 2013 RIBA Jencks Award, which is given annually to an individual or practice that has recently made a major contribution internationally to both the theory and practice of architecture.
In her lecture, Tagliabue will present the urban planning and regeneration processes currently being developed in her studio, such as for the metro station in Naples, The Grand Paris Metro Station in Clichy-Montfermeil and Public Spaces in Hafencity Hamburg. She will also address the work recently completed for the Expo Milano 2015.
Der Vortrag findet in englischer Sprache statt.
Clemens Weisshaar: The Vanishing Line Between the Physical and the Digital
Vortrag Architecture Class
Clemens Weisshaar: The Vanishing Line Between the Physical and the Digital
Donnerstag, 25. Juni 2015, 19 Uhr, Aula
The work of Clemens Weisshaar and Reed Kram is situated on the vanishing line between the physical and digital world. In their projects an increasing degree of the integration of hard- and software systems is evident - throughout design, fabrication and operation. In his lecture, Clemens Weisshaar will speak about the Genesis and Exodus of these projects and give insights into the processes at Kram/Weisshaar.
Reed Kram and Clemens Weisshaar are rising stars in the field of design. They have been referred to as ‘the vanguard of the next generation of digital designers’ (Form Magazine) and ‘the poster boys of a new breed of designers’ (International Herald Tribune). Their office engages in the design of spaces, products and media. Key projects include the technology for Prada's Epicenter stores (2001-2004), the seminal Breeding Tables (2003), Hypersky (2006), Outrace (2010) and Robochop (2015).
Clemens Weisshaar was born in 1977 in Munich and did an apprenticeship as a metal worker before he studied product design at Central Saint Martins College of Art and Design and the Royal College of Art in London. He worked as an assistant to Konstantin Grcic for three years before founding his first office for design in 2000.
Der Vortrag findet in englischer Sprache statt.
Clemens Weisshaar: The Vanishing Line Between the Physical and the Digital
Donnerstag, 25. Juni 2015, 19 Uhr, Aula
The work of Clemens Weisshaar and Reed Kram is situated on the vanishing line between the physical and digital world. In their projects an increasing degree of the integration of hard- and software systems is evident - throughout design, fabrication and operation. In his lecture, Clemens Weisshaar will speak about the Genesis and Exodus of these projects and give insights into the processes at Kram/Weisshaar.
Reed Kram and Clemens Weisshaar are rising stars in the field of design. They have been referred to as ‘the vanguard of the next generation of digital designers’ (Form Magazine) and ‘the poster boys of a new breed of designers’ (International Herald Tribune). Their office engages in the design of spaces, products and media. Key projects include the technology for Prada's Epicenter stores (2001-2004), the seminal Breeding Tables (2003), Hypersky (2006), Outrace (2010) and Robochop (2015).
Clemens Weisshaar was born in 1977 in Munich and did an apprenticeship as a metal worker before he studied product design at Central Saint Martins College of Art and Design and the Royal College of Art in London. He worked as an assistant to Konstantin Grcic for three years before founding his first office for design in 2000.
Der Vortrag findet in englischer Sprache statt.
Montag, 22. Juni 2015
Dan Rees: Civic Pride
Vortrag
Dan Rees: Civic Pride
Montag, 22. Juni 2015, 19 Uhr, Aula
Dan Rees will speak about his painting practice, specifically his Artex series which mimic once fashionable decorative ceiling patterns, popular in 1970's Britain. He will introduce his ongoing project concerning the ‘Welsh Nicaraguan Solidarity Campaign’ looking at the structure of grass-roots activism and bottom-up politics. In this video titled ‘Solidarity’ he interviews campaigners in an attempt to get closer to a sense of what 'care' means and how this can manifest itself in contemporary society. Rees will also speak about his project 'Kelp', an attempt to rebrand tinned seaweed, a largely untapped resource in the West.
Dan Rees (b. 1982 Swansea, U.K.) lives and works in Berlin. Rees studied at the Städelschule from 2007- 2009 and graduated from Camberwell College of Arts, London in 2004.
Rees’ solo exhibitions include: ‘Stimulate Surprise’, Tanya Leighton Gallery (2015), ‘Kelp’, National Museum of Wales, Cardiff (2013); ‘Top Heavy’, T293, Rome (2013); Recent group exhibitions include: Extension du domaine du jeu [Expanding the field of play], Espace 315, Centre Pompidou, Paris; The go-between Museo Nazionale di Capodimonte, Naples, ‘Time Machine’, M-ARCO Foundation, Marseille (2013); ‘CARA DOMANI opere dalla Collezione Ernesto Esposito’, MAMbo, Bologna (2012) and D’après Giorgio, Fondazione Giorgio e Isa de Chirico, Rome (2012).
Der Vortrag findet in englischer Sprache statt.
Dan Rees: Civic Pride
Montag, 22. Juni 2015, 19 Uhr, Aula
Dan Rees will speak about his painting practice, specifically his Artex series which mimic once fashionable decorative ceiling patterns, popular in 1970's Britain. He will introduce his ongoing project concerning the ‘Welsh Nicaraguan Solidarity Campaign’ looking at the structure of grass-roots activism and bottom-up politics. In this video titled ‘Solidarity’ he interviews campaigners in an attempt to get closer to a sense of what 'care' means and how this can manifest itself in contemporary society. Rees will also speak about his project 'Kelp', an attempt to rebrand tinned seaweed, a largely untapped resource in the West.
Dan Rees (b. 1982 Swansea, U.K.) lives and works in Berlin. Rees studied at the Städelschule from 2007- 2009 and graduated from Camberwell College of Arts, London in 2004.
Rees’ solo exhibitions include: ‘Stimulate Surprise’, Tanya Leighton Gallery (2015), ‘Kelp’, National Museum of Wales, Cardiff (2013); ‘Top Heavy’, T293, Rome (2013); Recent group exhibitions include: Extension du domaine du jeu [Expanding the field of play], Espace 315, Centre Pompidou, Paris; The go-between Museo Nazionale di Capodimonte, Naples, ‘Time Machine’, M-ARCO Foundation, Marseille (2013); ‘CARA DOMANI opere dalla Collezione Ernesto Esposito’, MAMbo, Bologna (2012) and D’après Giorgio, Fondazione Giorgio e Isa de Chirico, Rome (2012).
Der Vortrag findet in englischer Sprache statt.
Donnerstag, 11. Juni 2015
Kerstin Cmelka
Vortrag
Kerstin Cmelka
Mittwoch, 17. Juni 2015, 19 Uhr, Aula
In her lecture Cmelka will talk about her ongoing series of „Microdramas“ – live performances, performance videos, photographs and artist books. Dramatic miniatures related to the popular play that she produces since 2008, often in collaboration with artist friends, actors, musicians and persons from the cultural field. They display dysfunctional relationships, gestures of care as well as the impossibilities of communication between people. In a new body of work she currently deals with professional acting techniques, coaching and the public and private personality of the performer.
Kerstin Cmelka is an artist who works primarily with performance, video and photography. Recent solo exhibitions include “Kerstin Cmelka mit Manuel Gorkiewicz, Mario Mentrup, Hanno Millesi und Mandla Reuter” at Badischer Kunstverein, Karlsruhe, 2015, “Mikrodrama#11” at Kunstverein Langenhagen, 2014 and “Kunst und Lebensform”, Halle für Kunst und Medien (-KM), Graz/Austria, 2013. From 1999-2005 Cmelka studied at the Staatliche Hochschule für Bildende Künste – Städelschule.
She lives in Berlin, where she currently works as a visiting professor at the University of Fine Arts.
Der Vortrag findet in englischer Sprache statt.
Kerstin Cmelka
Mittwoch, 17. Juni 2015, 19 Uhr, Aula
In her lecture Cmelka will talk about her ongoing series of „Microdramas“ – live performances, performance videos, photographs and artist books. Dramatic miniatures related to the popular play that she produces since 2008, often in collaboration with artist friends, actors, musicians and persons from the cultural field. They display dysfunctional relationships, gestures of care as well as the impossibilities of communication between people. In a new body of work she currently deals with professional acting techniques, coaching and the public and private personality of the performer.
Kerstin Cmelka is an artist who works primarily with performance, video and photography. Recent solo exhibitions include “Kerstin Cmelka mit Manuel Gorkiewicz, Mario Mentrup, Hanno Millesi und Mandla Reuter” at Badischer Kunstverein, Karlsruhe, 2015, “Mikrodrama#11” at Kunstverein Langenhagen, 2014 and “Kunst und Lebensform”, Halle für Kunst und Medien (-KM), Graz/Austria, 2013. From 1999-2005 Cmelka studied at the Staatliche Hochschule für Bildende Künste – Städelschule.
She lives in Berlin, where she currently works as a visiting professor at the University of Fine Arts.
Der Vortrag findet in englischer Sprache statt.
Sabeth Buchmann: Rehearsing Critique
Vortrag
Sabeth Buchmann: Rehearsing Critique
Dienstag, 16. Juni 2015, 19 Uhr, Aula
Sabeth Buchmann, art historian and critic, Berlin/ Vienna, Professor of the History of Modern and Postmodern Art at the Academy of Fine Arts, Vienna. Her publications include: Co-ed. Texte Theorien der Moderne. Alois Riegl in der Kunstkritik (with Rike Frank), Berlin: b_books/ PoLyPen, 2015; Hélio Oiticica, Neville D'Almeida and others: Block-Experiments in Cosmococa (2013) with Max Jorge Hinderer Cruz (co-author), Film Avantgarde Biopolitik (ed. with Helmut Draxler and Stephan Geene, 2009). Denken gegen das Denken. Produktion – Technologie – Subjektivität bei Sol LeWitt, Yvonne Rainer und Hélio Oiticica (2006), Art After Conceptual Art (ed. with Alexander Alberro, 2006), Co-ed. of PoLyPen (b_books, Berlin). Since 1997 Advisory Board Member of Texte zur Kunst (Berlin). 1983-2000: Member of the theatre author group minimal club (Munich/ Berlin)
Regeln des (Un-)Möglichen.
Zur Kunstpraxis der späten 1980er und frühen 1990er
Von der klassisch-avantgardistischen Frage nach der gesellschaftlichen Funktionsbestimmung von Kunst geleitet, wurde diese zwischen Mitte der 1980er und 1990er Jahre zum alles bestimmenden Gegenstand künstlerischer (Institutions-)Analysen. Die (mehr oder weniger gelingende) Offenlegung herrschender Normen und Gesetze ging dabei mit dem (mehr oder weniger gelingenden) Entwurf neuer Regelwerke und ‚role models’ einher: Zu nennen wären hier Christian-Philipp Müllers Kleiner Führer durch die ehemalige Kurfürstliche Gemäldesammlung Düsseldorf (1986), Andrea Frasers (Video-) Performances Museum Highlights: A Gallery Talk (1989) oder die neo-situationistischen ‚dérives’ der Betreiberinnen des Wiener Fanzines Artfan, Linda Bilda und Ariane Müller. Unter Bezugnahme auf damals populäre Methoden der Soziologie, social history, cultural studies und Psychoanalyse galt die Aufmerksamkeit dem übergreifenden Systems aus Produzent_innen, Rezipient_innen, Kurator_innen, Sammler_innen, Kritiker_innen, Kunsthistoriker_innen etc.. Als ein in diesem Zusammenhang bezeichnendes Beispiel kann Klaus Scherübels Projekt - Melvin (1993) - insofern gelten, als es die Mechanismen der (Künstler-)Kritik im Sinne wertgenerierender Legendenbildung zu antizipieren suchte. Der Vortrag geht anhand exemplarischer Arbeiten dem ‚(re-)making of rules’ als einer Praxis nach, die schließlich auch die Wechselwirkung von Institutionskritik und neoliberalen Unternehmenskultur berührt.
Der Vortrag findet in englischer Sprache statt.
Sabeth Buchmann: Rehearsing Critique
Dienstag, 16. Juni 2015, 19 Uhr, Aula
Sabeth Buchmann, art historian and critic, Berlin/ Vienna, Professor of the History of Modern and Postmodern Art at the Academy of Fine Arts, Vienna. Her publications include: Co-ed. Texte Theorien der Moderne. Alois Riegl in der Kunstkritik (with Rike Frank), Berlin: b_books/ PoLyPen, 2015; Hélio Oiticica, Neville D'Almeida and others: Block-Experiments in Cosmococa (2013) with Max Jorge Hinderer Cruz (co-author), Film Avantgarde Biopolitik (ed. with Helmut Draxler and Stephan Geene, 2009). Denken gegen das Denken. Produktion – Technologie – Subjektivität bei Sol LeWitt, Yvonne Rainer und Hélio Oiticica (2006), Art After Conceptual Art (ed. with Alexander Alberro, 2006), Co-ed. of PoLyPen (b_books, Berlin). Since 1997 Advisory Board Member of Texte zur Kunst (Berlin). 1983-2000: Member of the theatre author group minimal club (Munich/ Berlin)
Regeln des (Un-)Möglichen.
Zur Kunstpraxis der späten 1980er und frühen 1990er
Von der klassisch-avantgardistischen Frage nach der gesellschaftlichen Funktionsbestimmung von Kunst geleitet, wurde diese zwischen Mitte der 1980er und 1990er Jahre zum alles bestimmenden Gegenstand künstlerischer (Institutions-)Analysen. Die (mehr oder weniger gelingende) Offenlegung herrschender Normen und Gesetze ging dabei mit dem (mehr oder weniger gelingenden) Entwurf neuer Regelwerke und ‚role models’ einher: Zu nennen wären hier Christian-Philipp Müllers Kleiner Führer durch die ehemalige Kurfürstliche Gemäldesammlung Düsseldorf (1986), Andrea Frasers (Video-) Performances Museum Highlights: A Gallery Talk (1989) oder die neo-situationistischen ‚dérives’ der Betreiberinnen des Wiener Fanzines Artfan, Linda Bilda und Ariane Müller. Unter Bezugnahme auf damals populäre Methoden der Soziologie, social history, cultural studies und Psychoanalyse galt die Aufmerksamkeit dem übergreifenden Systems aus Produzent_innen, Rezipient_innen, Kurator_innen, Sammler_innen, Kritiker_innen, Kunsthistoriker_innen etc.. Als ein in diesem Zusammenhang bezeichnendes Beispiel kann Klaus Scherübels Projekt - Melvin (1993) - insofern gelten, als es die Mechanismen der (Künstler-)Kritik im Sinne wertgenerierender Legendenbildung zu antizipieren suchte. Der Vortrag geht anhand exemplarischer Arbeiten dem ‚(re-)making of rules’ als einer Praxis nach, die schließlich auch die Wechselwirkung von Institutionskritik und neoliberalen Unternehmenskultur berührt.
Der Vortrag findet in englischer Sprache statt.
Joshua Oppenheimer and Adi Rukun
Filmvorführung
The Act of Killing
Sonntag, 14. Juni 2015, 11:30 Uhr, Deutsches Filmmuseum
Einführung: Sung Tieu und Thuy-Han Nguyen-Chi
Filmvorführung
The Look of Silence
Montag, 15. Juni 2015, 18 Uhr, Deutsches Filmmuseum
Einführung: Joshua Oppenheimer
Für die Filmvorführungen bitten wir um Reservierung über folgenden Link:
http://goo.gl/forms/ZsUcq2IMr0
Podiumsdiskussion
Joshua Oppenheimer and Adi Rukun: Fictions Constituting Facts
Montag, 15. Juni 2015, 20:00 Uhr, Lichthalle
The panel discussion with Joshua Oppenheimer will focus on the psychological and philosophical, aesthetical and political dimensions of his approach to cinematography in The Act of Killing (2012) and The Look of Silence (2014) that redefines the relationship between filmmaker and subject, film and audience. While exploring the notions of cinéma vérité and “documentary of the imagination”, we will look into the role of fiction, fantasy, reenactment and dramatisation in Oppenheimer’s filmmaking philosophy. The interrelationships between self-perception and performance, history and cinema, past and present underlies this reflection on the complex process of directing both films within the socio-political context of Indonesia over the course of more than a decade.
Born in 1974, USA, Oscar-nominated film director Joshua Oppenheimer is recipient of a MacArthur “Genius Grant” (2015-2019). His debut feature film, The Act of Killing (2012, 159 min and 117 min), was named Film of the Year in the 2013 by the Guardian and the Sight and Sound Film Poll, and won 72 international awards. His second film, The Look of Silence (2014, 99 min), premiered In Competition at the 71st Venice Film Festival, where it won five awards including the Grand Jury Prize, the international critics award (Fipresci Prize) and the European film critics award (Fedeora Prize). Since then, The Look of Silence has received the Danish Academy Award for Best Documentary and the prestigious Danish Arts Council Award. Oppenheimer is a partner at Final Cut for Real in Denmark, and Artistic Director of the Centre for Documentary and Experimental Film at the University of Westminster in London.
Die Veranstaltung findet in englischer Sprache statt.
The Act of Killing
Sonntag, 14. Juni 2015, 11:30 Uhr, Deutsches Filmmuseum
Einführung: Sung Tieu und Thuy-Han Nguyen-Chi
Filmvorführung
The Look of Silence
Montag, 15. Juni 2015, 18 Uhr, Deutsches Filmmuseum
Einführung: Joshua Oppenheimer
Für die Filmvorführungen bitten wir um Reservierung über folgenden Link:
http://goo.gl/forms/ZsUcq2IMr0
Podiumsdiskussion
Joshua Oppenheimer and Adi Rukun: Fictions Constituting Facts
Montag, 15. Juni 2015, 20:00 Uhr, Lichthalle
The panel discussion with Joshua Oppenheimer will focus on the psychological and philosophical, aesthetical and political dimensions of his approach to cinematography in The Act of Killing (2012) and The Look of Silence (2014) that redefines the relationship between filmmaker and subject, film and audience. While exploring the notions of cinéma vérité and “documentary of the imagination”, we will look into the role of fiction, fantasy, reenactment and dramatisation in Oppenheimer’s filmmaking philosophy. The interrelationships between self-perception and performance, history and cinema, past and present underlies this reflection on the complex process of directing both films within the socio-political context of Indonesia over the course of more than a decade.
Born in 1974, USA, Oscar-nominated film director Joshua Oppenheimer is recipient of a MacArthur “Genius Grant” (2015-2019). His debut feature film, The Act of Killing (2012, 159 min and 117 min), was named Film of the Year in the 2013 by the Guardian and the Sight and Sound Film Poll, and won 72 international awards. His second film, The Look of Silence (2014, 99 min), premiered In Competition at the 71st Venice Film Festival, where it won five awards including the Grand Jury Prize, the international critics award (Fipresci Prize) and the European film critics award (Fedeora Prize). Since then, The Look of Silence has received the Danish Academy Award for Best Documentary and the prestigious Danish Arts Council Award. Oppenheimer is a partner at Final Cut for Real in Denmark, and Artistic Director of the Centre for Documentary and Experimental Film at the University of Westminster in London.
Die Veranstaltung findet in englischer Sprache statt.
Montag, 8. Juni 2015
Jenny Sabin
Vortrag Architecture Class
Jenny Sabin: Matter Design Computation: Cells, Bits and Atoms
Donnerstag, 11. Juni 2015, 19 Uhr, Lichthalle
How might architecture respond to issues of ecology and sustainability whereby buildings behave more like organisms in their built environments? This talk will present ongoing trans-disciplinary research and design spanning across the fields of cell biology, materials science, physics, electrical and systems engineering, and architecture.
Jenny Sabin’s collaborative research, teaching and design practice focus on the contextual, material and formal intersections between architecture, science and technology. Through the visualisation and materialisation of dynamic and complex datasets, Sabin has generated a body of speculative and applied design work that aligns crafts-based techniques with digital fabrication alongside questions related to the body and information mediation. Her lecture will elucidate the research methods, prototypes and applications that Sabin and her collaborators have achieved, which aim to radically alter the paradigm of Responsive Architecture through architectural treatments, in the form of adaptive building skins, material assemblies, and architectural interventions that ultimately (re)configure their own performance based upon local criteria.
Jenny Sabin is an architect based in Philadelphia and Ithaca. She is currently the Arthur L. and Isabel B. Wiesenberger Assistant Professor in the area of Design and Emerging Technologies in the Department of Architecture at Cornell University and Director of the Sabin Design Lab at Cornell AAP, a hybrid research and design unit .
She holds degrees in ceramics and interdisciplinary visual art from the University of Washington and a master of architecture from the University of Pennsylvania.Sabin is the Arthur L. and Isabel B. Wiesenberger Assistant Professor in the area of Design and Emerging Technologies in the Department of Architecture at Cornell University.
Sabin's work has been exhibited nationally and internationally most recently at Nike Stadium NYC, the American Philosophical Society Museum and at Ars Electronic, Linz, Austria. Her work has been published in The Architectural Review, Azure, A+U, Metropolis, Mark Magazine, 306090, 10+1, ACM, American Journal of Pathology, Science, the New York Times, Wired Magazine, Metropolis and various exhibition catalogues and reviews. She co-authored Meander, Variegating Architecture with Ferda Kolatan, 2010.
Der Vortrag findet in englischer Sprache statt.
Jenny Sabin: Matter Design Computation: Cells, Bits and Atoms
Donnerstag, 11. Juni 2015, 19 Uhr, Lichthalle
How might architecture respond to issues of ecology and sustainability whereby buildings behave more like organisms in their built environments? This talk will present ongoing trans-disciplinary research and design spanning across the fields of cell biology, materials science, physics, electrical and systems engineering, and architecture.
Jenny Sabin’s collaborative research, teaching and design practice focus on the contextual, material and formal intersections between architecture, science and technology. Through the visualisation and materialisation of dynamic and complex datasets, Sabin has generated a body of speculative and applied design work that aligns crafts-based techniques with digital fabrication alongside questions related to the body and information mediation. Her lecture will elucidate the research methods, prototypes and applications that Sabin and her collaborators have achieved, which aim to radically alter the paradigm of Responsive Architecture through architectural treatments, in the form of adaptive building skins, material assemblies, and architectural interventions that ultimately (re)configure their own performance based upon local criteria.
Jenny Sabin is an architect based in Philadelphia and Ithaca. She is currently the Arthur L. and Isabel B. Wiesenberger Assistant Professor in the area of Design and Emerging Technologies in the Department of Architecture at Cornell University and Director of the Sabin Design Lab at Cornell AAP, a hybrid research and design unit .
She holds degrees in ceramics and interdisciplinary visual art from the University of Washington and a master of architecture from the University of Pennsylvania.Sabin is the Arthur L. and Isabel B. Wiesenberger Assistant Professor in the area of Design and Emerging Technologies in the Department of Architecture at Cornell University.
Sabin's work has been exhibited nationally and internationally most recently at Nike Stadium NYC, the American Philosophical Society Museum and at Ars Electronic, Linz, Austria. Her work has been published in The Architectural Review, Azure, A+U, Metropolis, Mark Magazine, 306090, 10+1, ACM, American Journal of Pathology, Science, the New York Times, Wired Magazine, Metropolis and various exhibition catalogues and reviews. She co-authored Meander, Variegating Architecture with Ferda Kolatan, 2010.
Der Vortrag findet in englischer Sprache statt.
Montag, 1. Juni 2015
Corin Hewitt
Vortrag
Corin Hewitt: All Window
Dienstag, 9. Juni 2015, 19 Uhr, Aula
Corin Hewitt will speak on his work both as an artist and as an educator. Hewitt’s materially rigorous work employs cycles of photography, video, performance, and sculpture in an investigation of image and object making systems. Hewitt will discuss the evolution of his work and thoughts. He will also discuss a series of projects he has done with students using color as a narrative structure to develop large both films and large scale performance works.
Hewitt has exhibited widely including solo exhibitions at the Whitney Museum of American Art, Museum of Contemporary Art in Cleveland, and the Seattle Art Museum. His work has recently been recently included in group exhibitions at the Astrup Fearnley Museum of Modern Art, Oslo; the Sao Paolo Biennial in Brazil, ; the Whitney Museum, the Henry Art Gallery, Seattle; Galerie Perrotin, Paris, with the Public Art Fund in New York, and the Wanas Foundation in Sweden.Hewitt is a recipient of the 2014/15 Rome Prize, a 2011/12 Guggenheim Fellowship, and a Joan Mitchell Foundation Grant in 2010/11. Mousse Publishing has just released a monograph on Hewitt’s work entiitled 7 Perfomances. Hewitt is represented by Laurel Gitlen Gallery in New York and Hewitt is an Associate Professor of Sculpture and Extended Media at Virginia Commonwealth University.
Der Vortrag findet in englischer Sprache statt.
Corin Hewitt: All Window
Dienstag, 9. Juni 2015, 19 Uhr, Aula
Corin Hewitt will speak on his work both as an artist and as an educator. Hewitt’s materially rigorous work employs cycles of photography, video, performance, and sculpture in an investigation of image and object making systems. Hewitt will discuss the evolution of his work and thoughts. He will also discuss a series of projects he has done with students using color as a narrative structure to develop large both films and large scale performance works.
Hewitt has exhibited widely including solo exhibitions at the Whitney Museum of American Art, Museum of Contemporary Art in Cleveland, and the Seattle Art Museum. His work has recently been recently included in group exhibitions at the Astrup Fearnley Museum of Modern Art, Oslo; the Sao Paolo Biennial in Brazil, ; the Whitney Museum, the Henry Art Gallery, Seattle; Galerie Perrotin, Paris, with the Public Art Fund in New York, and the Wanas Foundation in Sweden.Hewitt is a recipient of the 2014/15 Rome Prize, a 2011/12 Guggenheim Fellowship, and a Joan Mitchell Foundation Grant in 2010/11. Mousse Publishing has just released a monograph on Hewitt’s work entiitled 7 Perfomances. Hewitt is represented by Laurel Gitlen Gallery in New York and Hewitt is an Associate Professor of Sculpture and Extended Media at Virginia Commonwealth University.
Der Vortrag findet in englischer Sprache statt.
Mai-Thu Perret
Vortrag
Mai-Thu Perret: See you on the astral plane – Objects, Narration, Performance.
Montag, 8. Juni 2015, 19 Uhr, Aula
Mai-Thu Perret is an artist who lives in Geneva, Switzerland. She is known for her multi-disciplinary practice encompassing sculpture, painting, video and installation. Perret has created a complex oeuvre which combines radical feminist politics with literary texts, homemade crafts and 20th century avant-garde aesthetics. She was born in Geneva and studied at Cambridge University and the Whitney Independent Study Program, New York. She has been awarded for both the 2011 Zurich Art Prize and le Prix Culturel Manor (2011) and took part in ILLUMInations (curated by Bice Curiger) at the 54th Venice Biennale. In 2016, Mai-Thu Perret will be the subject of a solo exhibition at the Nasher Sculpture Center, Dallas. Curating has played an important role in her practice since its inception. Among other shows she has organized Voids: A Retrospective (Centre Pompidou, Paris and Kunsthalle Bern, with John Armleder, Mathieu Copeland, Gustav Metzger and Clive Philpot).
The lecture will focus on the interplay between narrative and materiality in her work, from early experiments with a story called The Crystal Frontier to her engagement with wider historical narratives about art and politics in video installations such as An Evening of the Book. She especially wants to discuss the recent performance piece Figures, which is a collaboration between herself and dancer Anja Schmidt, musician Beatrice Dillon and singer-songwriter Tamara Barnett-Herrin.
Der Vortrag findet in englischer Sprache statt.
Mai-Thu Perret: See you on the astral plane – Objects, Narration, Performance.
Montag, 8. Juni 2015, 19 Uhr, Aula
Mai-Thu Perret is an artist who lives in Geneva, Switzerland. She is known for her multi-disciplinary practice encompassing sculpture, painting, video and installation. Perret has created a complex oeuvre which combines radical feminist politics with literary texts, homemade crafts and 20th century avant-garde aesthetics. She was born in Geneva and studied at Cambridge University and the Whitney Independent Study Program, New York. She has been awarded for both the 2011 Zurich Art Prize and le Prix Culturel Manor (2011) and took part in ILLUMInations (curated by Bice Curiger) at the 54th Venice Biennale. In 2016, Mai-Thu Perret will be the subject of a solo exhibition at the Nasher Sculpture Center, Dallas. Curating has played an important role in her practice since its inception. Among other shows she has organized Voids: A Retrospective (Centre Pompidou, Paris and Kunsthalle Bern, with John Armleder, Mathieu Copeland, Gustav Metzger and Clive Philpot).
The lecture will focus on the interplay between narrative and materiality in her work, from early experiments with a story called The Crystal Frontier to her engagement with wider historical narratives about art and politics in video installations such as An Evening of the Book. She especially wants to discuss the recent performance piece Figures, which is a collaboration between herself and dancer Anja Schmidt, musician Beatrice Dillon and singer-songwriter Tamara Barnett-Herrin.
Der Vortrag findet in englischer Sprache statt.
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