Vortrag
Ray Brassier: The Catastrophe of Time
Dienstag, 17. Dezember 2013, 19 Uhr, Aula
This talk will examine the logic of catastrophe in J.G. Ballard's 1960 story "The Voices of Time".
In Ballard's tale, catastrophe creates a temporal involution that throws linear time out of joint, generating unanticipated opportunities for cognitive discovery. These discoveries are charted through the various metaphorical transpositions that are the central resource of Ballard's writing.
Through these transpositions, catastrophe is raised from the level of aesthetic trauma into the realm of cognitive experience.
Ray Brassier is author of Nihil Unbound. Enlightenment and Extinction (2007). He is professor of philosophy at the American University in Beirut.
Der Vortrag findet in englischer Sprache statt.
Montag, 16. Dezember 2013
Sonntag, 8. Dezember 2013
Georgia Sagri
Vortrag
Georgia Sagri
Dienstag, 10. Dezember 2013, 19 Uhr, Aula
There it is: productions of subjectivities, techno-dandyism, role-collage; expressiveness is a tool. Automatons of colors, timings, states of grasping things or letting them go. What’s the matter with her? Do I really need to be she/ he or it now? I am a river. I am clicking this for you and you say hi with a certain voice of connection that assumes connecting-ness. It is horrible when you don’t know where your hand is when your mouth speaks. Although I know you have nothing to do with me, we had sex many times and I recognized we were both dead, from where it comes your horniness!? What a weird question. –Tell me. Muscle Mountain. Sunny cereal bars of the 90c, means “training a generation of individuals capable of organizing a free life for free men.” (1) Preciado calls it pharmaco-porn-power and continues: “The new pharmacological and surgical techniques set in motion tectonic construction processes that combine figurative representations derived from cinema and from architecture (editing, 3D modeling or personality design, etc.), according to which the organs, the vessels, the fluids and the molecules are converted into the prime material from which our corporality is manufactured.”(2) Is this the undoing of dialectics? What about the a-gender and the a-performance? For the sake of distancing and absence, and for the multiplicity of options I move. She moves.
(1) G. Yvetot, Emancipation. From the Anarchist Encyclopedia — S. Faure (2) Pharmaco-pornographic Politics: Towards a New Gender Ecology Beatriz Preciado, parallax, 2008, vol. 14, no. 1, 105–117
Georgia Sagri, born 1979 studied music and art in Athens and New York. At the center of her practice lies the exploration of performance as an ever-evolving field within social and visual life, interconnected, though distinct from the dialectics of representation in theatre, music and dance. In addition to performance pieces she has been developing in the past fifteen years, a great part of her artistic output comprises video and computer works, texts, installations and drawings. She was included in the Biennale de Lyon (2013), ProBio, Expo 1: MoMA PS1, New York (2013) and the Whitney Biennial (2011). She is the founder of the audio-only magazine FORTÉ (magazineforte.com) and the founder of SALOON, an on-going collaborative project.
Der Vortrag findet in englischer Sprache statt.
Georgia Sagri
Dienstag, 10. Dezember 2013, 19 Uhr, Aula
There it is: productions of subjectivities, techno-dandyism, role-collage; expressiveness is a tool. Automatons of colors, timings, states of grasping things or letting them go. What’s the matter with her? Do I really need to be she/ he or it now? I am a river. I am clicking this for you and you say hi with a certain voice of connection that assumes connecting-ness. It is horrible when you don’t know where your hand is when your mouth speaks. Although I know you have nothing to do with me, we had sex many times and I recognized we were both dead, from where it comes your horniness!? What a weird question. –Tell me. Muscle Mountain. Sunny cereal bars of the 90c, means “training a generation of individuals capable of organizing a free life for free men.” (1) Preciado calls it pharmaco-porn-power and continues: “The new pharmacological and surgical techniques set in motion tectonic construction processes that combine figurative representations derived from cinema and from architecture (editing, 3D modeling or personality design, etc.), according to which the organs, the vessels, the fluids and the molecules are converted into the prime material from which our corporality is manufactured.”(2) Is this the undoing of dialectics? What about the a-gender and the a-performance? For the sake of distancing and absence, and for the multiplicity of options I move. She moves.
(1) G. Yvetot, Emancipation. From the Anarchist Encyclopedia — S. Faure (2) Pharmaco-pornographic Politics: Towards a New Gender Ecology Beatriz Preciado, parallax, 2008, vol. 14, no. 1, 105–117
Georgia Sagri, born 1979 studied music and art in Athens and New York. At the center of her practice lies the exploration of performance as an ever-evolving field within social and visual life, interconnected, though distinct from the dialectics of representation in theatre, music and dance. In addition to performance pieces she has been developing in the past fifteen years, a great part of her artistic output comprises video and computer works, texts, installations and drawings. She was included in the Biennale de Lyon (2013), ProBio, Expo 1: MoMA PS1, New York (2013) and the Whitney Biennial (2011). She is the founder of the audio-only magazine FORTÉ (magazineforte.com) and the founder of SALOON, an on-going collaborative project.
Der Vortrag findet in englischer Sprache statt.
Montag, 2. Dezember 2013
Susan Grayson
Vortrag
Susan Grayson: Introduction to Lecture - On About Around Starting a Body of Work
Mittwoch, 4. Dezember 2013, 19 Uhr, Aula
The focus of my presentation will be about starting a body of work using my work and my milieu. Are we more influenced by history or what is simultaneously going on around us.
Artists are the best art historians. Artist needs to know what is old, what has been done, to know what is new to push the boundaries of art. In my generation and before, art history was another material and tool for making art. And every artist made their own take on art history. My generation was the first TV generation. When video became accessible, artists looked at it like TV and the potential to reach a wider audience. The students are the first generation to be born with the computer and internet. Their pool of information is infinite and immediately accessible.
Interaction and collaboration with peers are a way of dialoguing the present with art history. Some of my collaborations will be shown, including a film by Isa Genzken, Zwei Frauen Im Gefect, 1974. Other artists included in the presentation are Kathryn Bigelow, Sigmar Polke, Reiner Ruthenbeck, Mario Merz and Neil Jenney.
Susan Grayson is an artist who lives in New York working mainly with photography. She has exhibited her work in a group shows at Gagosian Gallery, Kunstverein Dusseldorf, and Queens Museum. She made the first exhibitions on a cross cultural history of sports photography in the United States and Germany.
Der Vortrag findet in englischer Sprache statt.
Susan Grayson: Introduction to Lecture - On About Around Starting a Body of Work
Mittwoch, 4. Dezember 2013, 19 Uhr, Aula
The focus of my presentation will be about starting a body of work using my work and my milieu. Are we more influenced by history or what is simultaneously going on around us.
Artists are the best art historians. Artist needs to know what is old, what has been done, to know what is new to push the boundaries of art. In my generation and before, art history was another material and tool for making art. And every artist made their own take on art history. My generation was the first TV generation. When video became accessible, artists looked at it like TV and the potential to reach a wider audience. The students are the first generation to be born with the computer and internet. Their pool of information is infinite and immediately accessible.
Interaction and collaboration with peers are a way of dialoguing the present with art history. Some of my collaborations will be shown, including a film by Isa Genzken, Zwei Frauen Im Gefect, 1974. Other artists included in the presentation are Kathryn Bigelow, Sigmar Polke, Reiner Ruthenbeck, Mario Merz and Neil Jenney.
Susan Grayson is an artist who lives in New York working mainly with photography. She has exhibited her work in a group shows at Gagosian Gallery, Kunstverein Dusseldorf, and Queens Museum. She made the first exhibitions on a cross cultural history of sports photography in the United States and Germany.
Der Vortrag findet in englischer Sprache statt.
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